"Capriccio Espagnol, Op. 34: II. Variazioni" by Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel was released on January 1, 2004. With this song being about 5 minutes long, at 4:46, "Capriccio Espagnol, Op. 34: II. Variazioni" by Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Rimsky-Korsakov: Scheherazade". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Capriccio Espagnol, Op. 34: II. Variazioni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Capriccio Espagnol, Op. 34: II. Variazioni by Nikolai Rimsky-Korsakov, Berliner Philharmoniker, Lorin Maazel having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Midori, Mariss Jansons, Berliner Philharmoniker | D♭ Major | 1 | 3B | 125 BPM | ||
Fledermaus-Quadrille, Op. 363 - Live | Johann Strauss II, Lorin Maazel | D Major | 5 | 10B | 125 BPM | ||
Schubert: Symphony No. 9 in C Major, D. 944 "The Great": IV. Finale. Allegro vivace | Franz Schubert, Berliner Philharmoniker, Sir Simon Rattle | C Major | 2 | 8B | 98 BPM | ||
Concerto for Violin & Orchestra, Op. 14: I. Allegro | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 2 | 9B | 92 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
El sombrero de tres picos, Pt. 1: III. Danza de la molinera | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | D Major | 1 | 10B | 121 BPM | ||
Messiaen: Éclairs sur l'au-delà...: X. Le chemin de l'invisible | Olivier Messiaen, Sir Simon Rattle, Berliner Philharmoniker | A Major | 0 | 11B | 84 BPM | ||
Intermezzo in modo classico (Version for Orchestra) | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker | G Major | 2 | 9B | 74 BPM | ||
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277: Ouverture (Adagio - Molto vivace) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 3 | 7B | 88 BPM |
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