"Der fliegende Hollander (The Flying Dutchman): Act II: Duett - Wie aus der Ferne langst vergang'ner Zeiten" by Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg was released on September 6, 1993. Der fliegende Hollander (The Flying Dutchman): Act II: Duett - Wie aus der Ferne langst vergang'ner Zeiten is about six minutes long, preciously at 5:50, making this song fairly long compared to other songs. This song is part of Wagner, R.: Fliegende Hollander (Der) by Richard Wagner, Pinchas Steinberg. The song's track number on the album is #7 out of 29 tracks. Der fliegende Hollander (The Flying Dutchman): Act II: Duett - Wie aus der Ferne langst vergang'ner Zeiten is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Der fliegende Hollander (The Flying Dutchman): Act II: Duett - Wie aus der Ferne langst vergang'ner Zeiten by Richard Wagner, Ingrid Haubold, Jörg Hering, Erich Knodt, Alfred Muff, Marga Schiml, Peter Seiffert, Budapest Radio Chorus, Austrian Radio Symphony Orchestra, Pinchas Steinberg has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Der fliegende Hollander (The Flying Dutchman): Act II: Duett - Wie aus der Ferne langst vergang'ner Zeiten being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | ||
Le roi s'amuse: Gaillarde | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 96 BPM | ||
Tristan und Isolde, WWV 90: Prelude To Act I | Richard Wagner, Gewandhausorchester Leipzig, Andris Nelsons | A Minor | 1 | 8A | 79 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM | ||
Don Giovanni, K.527, Act II, Scene 5: Don Giovanni, a cenar teco (Commendatore/Don Giovanni/Leporello/Coro) | Wiener Philharmoniker, William Shimell, Jan-Hendrik Rootering, Samuel Ramey, Riccardo Muti, Konzertvereinigung der Wiener Staatsopernchor | B♭ Major | 2 | 6B | 90 BPM | ||
Symphony No. 2 in C Minor, Op. 17 "Little Russian": III. Scherzo. Allegro molto vivace - Trio. L'istesso tempo | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | C Minor | 3 | 5A | 124 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): V. Intermezzo | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A♭ Major | 0 | 4B | 65 BPM | ||
Lohengrin: Bridal Chorus | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | B♭ Major | 1 | 6B | 70 BPM | ||
Verdi: Messa da Requiem - Libera me: VIId. Libera me, Domine | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Berliner Philharmoniker | C Major | 3 | 8B | 113 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM |
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