"Lohengrin: Bridal Chorus" by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner was released on February 28, 1997. With this song being about 5 minutes long, at 4:48, "Lohengrin: Bridal Chorus" by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Carl Maria von Weber's "German Operatic Choruses" album is number 1 out of 14. On top of that, Hong Kong appears to be the country where this track was created. Lohengrin: Bridal Chorus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lohengrin: Bridal Chorus by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lohengrin, Act III: Wedding March - Arr. For Organ | Bertalan Hock, Richard Wagner | B♭ Major | 0 | 6B | 133 BPM | ||
Giselle: Act I: Entree de Giselle | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | G Major | 0 | 9B | 136 BPM | ||
Soirees musicales, Op. 9: III. Tirolese | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | A Major | 0 | 11B | 71 BPM | ||
Smetana: The Bartered Bride: Overture | Bedřich Smetana, Rudolf Kempe, Royal Philharmonic Orchestra | F Major | 2 | 7B | 124 BPM | ||
Carmina Burana: O Fortuna | Carl Orff, Eva Jenisova, Vladimir Dolezal, Ivan Kusnjer, Pavol Procházka, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | D Minor | 3 | 7A | 136 BPM | ||
Cavalleria rusticana: "A casa, amici" - "Comare Lola" | Pietro Mascagni, The London Opera Chorus, Luciano Pavarotti, Carmen Gonzales, National Philharmonic Orchestra, Gianandrea Gavazzeni | C Major | 1 | 8B | 86 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM | ||
Elijah, Op. 70, MWV A25: Part II: Siehe, der Huter Israels (Chorus) | Felix Mendelssohn, Luise Muller, Ruth Ziesak, Claudia Mahnke, Christoph Genz, Ralf Lukas, MDR Leipzig Radio Chorus, Leipzig MDR Symphony Orchestra, Jun Markl | D Major | 1 | 10B | 65 BPM | ||
Eugene Onegin, Op. 24, TH. 5 / Act I: (Scene 3) Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
Lakme: Lakme: Viens, Mallika... Dome Epais, "Flower Duet" | Slovak Radio Symphony Orchestra, Denisa Šlepkovská, Adriana Kohútková, Edmond Gondinet, Philippe Gille, Léo Delibes | B Major | 0 | 1B | 89 BPM |
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