- BPM
- 136
- Key
- G Major
- Camelot
- 9B
Giselle: Act I: Entree de Giselle - Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia Information
- Acousticness
- 90%
- Danceability
- 32%
- Energy
- 1%
- Instrumentalness
- 1%
- Liveness
- 14%
- Loudness
- 50%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 13%
- Loudness
- -29.775 dB
Summary
"Giselle: Act I: Entree de Giselle" by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia was released on November 3, 1994. Giselle: Act I: Entree de Giselle is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 4 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. Based on our statistics, Giselle: Act I: Entree de Giselle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Giselle: Act I: Entree de Giselle BPM
The tempo marking of Giselle: Act I: Entree de Giselle by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Giselle: Act I: Entree de Giselle Key
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | |
 | La fille mal gardée (Rev. Lanchbery), Act I: No. 17a, Clog Dance | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | G Minor | 1 | 6A | 130 BPM | |
 | Waltz From "Eugene Onegin" | Royal Philharmonic Orchestra | D Major | 2 | 10B | 117 BPM | |
 | The Tale Of Tsar Saltan: 3. The Flight Of The Bumble-Bee | Nikolai Rimsky-Korsakov, Philharmonia Orchestra, Vladimir Ashkenazy | D Minor | 0 | 7A | 187 BPM | |
 | Giselle: Act I: Retour de la vendange et valse (The Grape-Pickers Return) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 134 BPM | |
 | Variations on an Original Theme, Op. 36, "Enigma": Adagio | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | E Major | 1 | 12B | 130 BPM | |
 | Etudes: XIII. Tarantel | Knudåge Riisager, Gennady Rozhdestvensky, Danish National Symphony Orchestra | A Major | 4 | 11B | 179 BPM | |
 | Verdi: La forza del destino: Overture to Act 1 | Giuseppe Verdi, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | F Minor | 1 | 4A | 88 BPM | |
 | Piano Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile | Ludwig van Beethoven, François-René Duchâble | A♭ Major | 0 | 4B | 118 BPM | |
 | Beethoven: Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | Ludwig van Beethoven, Nikolaus Harnoncourt, Chamber Orchestra of Europe | B♭ Major | 0 | 6B | 87 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6820790767669678
End: 0.6879434585571289