"Piano Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile" by Ludwig van Beethoven, François-René Duchâble was released on January 14, 2021. With this song being about 5 minutes long, at 5:01, "Piano Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile" by Ludwig van Beethoven, François-René Duchâble is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 20 in Beethoven - Thursday Morning by Ludwig van Beethoven. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Piano Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Piano Sonata No. 8 in C Minor, Op. 13 'Pathétique': II. Adagio cantabile by Ludwig van Beethoven, François-René Duchâble is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.1 in C major BWV846 | Daniel Barenboim | C Major | 0 | 8B | 95 BPM | ||
Piano Sonatina in C Major, Op. 55, No. 1: II. Vivace | Friedrich Kuhlau, Jenő Jandó | C Major | 2 | 8B | 122 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 3. Finale (Allegro energico) | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | G Major | 3 | 9B | 68 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Sinfonia in E major, RV 132: I. Allegro | Karoly Botvay | E Major | 1 | 12B | 108 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti | C Major | 0 | 8B | 65 BPM | ||
7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |
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