Richard Strauss, Heinrich Schiff, Dietmar Hallman, Gewandhausorchester Leipzig, Kurt Masur's 'Don Quixote, Op. 35, TrV 184: 9. Variation 6 (Schnell)' came out on June 11, 2021. With Don Quixote, Op. 35, TrV 184: 9. Variation 6 (Schnell) being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 75 in the song's album "Richard Strauss". In this album, this song's track order is #50. Based on our statistics, Don Quixote, Op. 35, TrV 184: 9. Variation 6 (Schnell)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Don Quixote, Op. 35, TrV 184: 9. Variation 6 (Schnell) by Richard Strauss, Heinrich Schiff, Dietmar Hallman, Gewandhausorchester Leipzig, Kurt Masur having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
Béatrice et Bénédict, Op. 27, H 138: Ouverture | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 101 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: Introduction | Richard Strauss, Munich Philharmonic Orchestra, Christian Thielemann | E Major | 1 | 12B | 94 BPM | ||
Vier letzte Lieder, TrV 296: 2. September | Richard Strauss, Jessye Norman, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 153 BPM | ||
Poème de l'amour et de la mer, Op. 19: Interlude | Ernest Chausson, Véronique Gens, Orchestre National de Lille, Alexandre Bloch | A♭ Major | 0 | 4B | 108 BPM | ||
Elektra: Xii. Was sagen sie ihr denn? | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | B Major | 3 | 1B | 136 BPM | ||
Spanish Capriccio in A Major, Op. 34: III. Alborada. Vivo e strepitoso | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | B♭ Major | 2 | 6B | 133 BPM | ||
Romeo and Juliet, Op. 64 - Act 1: The Young Juliet | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | F Major | 0 | 7B | 83 BPM | ||
Violin Concerto In D, Op.35, TH. 59: 3. Finale (Allegro vivacissimo) | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | D Major | 2 | 10B | 81 BPM | ||
Elektra: Xvii. Nun denn allen! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | D♭ Major | 5 | 3B | 118 BPM |
Section: 0.9265468120574951
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