"Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7)" by Budapest Strings was released on November 30, 2015. The duration of Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) is about 3 minutes long, at 3:22. Based on our data, "Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "The Classical Collections - Evening Glow". In this album, this song's track order is #1. In terms of popularity, Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Humoresque No. 7 for Piano in G Flat Major, B. 187-7 (Op. 101-7) by Budapest Strings having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sinfonia in D Major, "La Veneziana": III. Presto | Antonio Salieri, Budapest Strings | D Major | 2 | 10B | 110 BPM | ||
Ansporn | Márk Rózsavölgyi, Budapest Strings, Karoly Botvay | F Major | 1 | 7B | 88 BPM | ||
12 New Hungarian Dances: No. 6. — | Ferdinand Kauer, Budapest Strings, Karoly Botvay | E Major | 1 | 12B | 102 BPM | ||
Concerto Grosso in F Major, Op. 3, No. 1: I. Allegro assai: Adagio | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Major | 3 | 8B | 114 BPM | ||
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Rinaldo, HWV 7b: Act III Scene 11: Battaglia | George Frideric Handel, Marion Newman, Laura Whalen, Kimberley Barber, Jennifer Ens Modolo, Sean Watson, Barbara Hannigan, Giles Tomkins, Nicole Bower, Catherine Affleck, Melinda Delorme, Lenard Whiting, Opera in Concert, Aradia Ensemble, Kevin Mallon | A Major | 3 | 11B | 179 BPM | ||
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble) | Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi | F Minor | 0 | 4A | 101 BPM | ||
Sinfonia in E major, RV 132: III. Allegro | Karoly Botvay | E Major | 1 | 12B | 187 BPM | ||
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": II. Moderato e dolce | William Boyce, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 80 BPM | ||
Concerto in A Minor for Flute and Strings: I. Allegro | Michel Blavet, Dorothee Oberlinger | A♭ Minor | 2 | 1A | 116 BPM |
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