"Marina: Pensar en él (Thinking of him)" by J. E. Arrieta, Montserrat Caballé, Eugenio Marco was released on November 28, 1994. With this song being about 5 minutes long, at 4:40, "Marina: Pensar en él (Thinking of him)" by J. E. Arrieta, Montserrat Caballé, Eugenio Marco is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Zarzuela Arias & Duets by Montserrat Caballé. The song's track number on the album is #8 out of 14 tracks. Marina: Pensar en él (Thinking of him) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Marina: Pensar en él (Thinking of him) by J. E. Arrieta, Montserrat Caballé, Eugenio Marco has a tempo of 70 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Marina: Pensar en él (Thinking of him) being at 70 BPM, the half-time would be 35 BPM with a double-time of 140 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les 7 paroles du Christ: 4e Parole - "Deus meus, ut quid dereliquisti me ?" | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | E♭ Major | 0 | 5B | 82 BPM | ||
L'Olimpiade, Act I Scene 9: Duetto. "Ne’giorni tuoi felici" | Domenico Cimarosa, Maite Beaumont, Rocio Pérez, Christophe Rousset, Les Talens Lyriques | C Major | 3 | 8B | 139 BPM | ||
歌劇「魔笛」 第2幕~夜の女王のアリア | 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 | F Major | 2 | 7B | 71 BPM | ||
Corazón, porqué pasáis | Fernando Obradors, José Carreras, Martin Katz | A Major | 2 | 11B | 132 BPM | ||
Don Gil de Alcalá: Juntos en Este Jardín (Romanza de Don Gil) - Remastered | Manuel Penella, Marcos Redondo | F♯ Major | 2 | 2B | 69 BPM | ||
Romeo and Juliette, Act II: Ecoute! on vient! | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Puccini: Tosca, Act 1: "Angelus Domini nuntiavit Mariae" (Sagrestano, Cavaradossi) | Giacomo Puccini, Antonio Pappano, Enrico Fissore, Roberto Alagna, Orchestra of the Royal Opera House & Covent Garden | D Major | 0 | 10B | 84 BPM | ||
La Rosa del Azafrán: Nocturno: "Ronda. Como Soy, Nena Mía" | Jacinto Guerrero, Nicasio Tejada | E Major | 9 | 12B | 89 BPM | ||
El Rey Que Rabió: "Cuarteto: El chorro de la fuente" - Remastered | Miguel Ramos Carrión, Vital Aza, Ruperto Chapí, Toñi Rosado, Pilar Lorengar, Carlos Munguia, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Julian Perera, Gran Orquesta Sinfonica | E♭ Major | 3 | 5B | 120 BPM | ||
Tosca / Act 1: "Mia gelosa!" | Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | F Major | 0 | 7B | 140 BPM |
Section: 0.7427291870117188
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