佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団's '歌劇「魔笛」 第2幕~夜の女王のアリア' came out on June 4, 2014. The duration of 歌劇「魔笛」 第2幕~夜の女王のアリア is about 3 minutes long, at 3:01. Based on our data, "歌劇「魔笛」 第2幕~夜の女王のアリア" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in モーツァルト 人気曲ベスト35, so we believe that "歌劇「魔笛」 第2幕~夜の女王のアリア" is a single. 歌劇「魔笛」 第2幕~夜の女王のアリア is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of 歌劇「魔笛」 第2幕~夜の女王のアリア by 佐藤美枝子, ジェイムズ・ロックハート, フィルハーモニア管弦楽団 is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda: Act III Scene 5: O madre mia, nell'isola fatale (Gioconda) | Amilcare Ponchielli, Andrea Gruber, Marco Berti, Alberto Mastromarino, Carlo Colombara, Ildiko Komlosi, Elisabetta Fiorillo, Francesco Palmieri, Graziano Polidori, Mauro Buffoli, Giovanni Bellavia, Dario Benini, Alessandro Calamai, Coro Dell'Arena Di Verona, Arena of Verona Orchestra, Donato Renzetti | F Major | 2 | 7B | 128 BPM | ||
La rosa y el sauce | Tamara Radjenovic, Makris Symphony Orchestra | F Major | 0 | 7B | 106 BPM | ||
Il trovatore: Condotta ell'era in ceppi | Giuseppe Verdi, Dolora Zajick, Charles Rosekrans, Royal Philharmonic Orchestra, Piero Giuliacci | D♭ Major | 0 | 3B | 90 BPM | ||
交響組曲《シェエラザード》より - フィギュア・スケート Ver. | Nikolai Rimsky-Korsakov, エマニュエル・クリヴィヌ, フィルハーモニア管弦楽団 | E♭ Major | 0 | 5B | 98 BPM | ||
アヴェ・マリア - ヴェルディ: 歌劇「オテロ」より | ジュゼッペ・フォルトゥニーノ・フランチェスコ・ヴェルディ, Michie Nakamaru, フィルハーモニア管弦楽団, ステファノ・ランザーニ | A♭ Major | 0 | 4B | 165 BPM | ||
歌劇《ノルマ》: 歌劇《ノルマ》: 清らかな女神よ - ベルリーニ: 歌劇「ノルマ」第1幕より | ヴィンチェンツォ・ベッリーニ, Michie Nakamaru, ステファノ・ランザーニ, フィルハーモニア管弦楽団 | F Major | 1 | 7B | 82 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": IX. Andante sostenuto assai. "Drum sing' ich mit meinem Liede ewig dein Lob" | Felix Mendelssohn, Werner Güra, Deutsche Kammerphilharmonie Bremen, Frieder Bernius | B♭ Major | 0 | 6B | 94 BPM | ||
Das Paradies und die Peri, Op. 50, Erster Teil: No. 5 So sann sie nach | Robert Schumann, London Symphony Orchestra, Florian Boesch, Kate Royal, Bernarda Fink, Andrew Staples, Sir Simon Rattle, Mark Padmore | G Major | 1 | 9B | 142 BPM | ||
Ah Perfido!, Op. 65: "Ah crudel! tu vuoi ch'io mora!" | Ludwig van Beethoven, Cecilia Bartoli, Kammerorchester Basel, Muhai Tang | E♭ Major | 3 | 5B | 102 BPM | ||
剣の舞 〜バレエ「ガイーヌ」より | Aram Khachaturian, Sir Charles Groves, フィルハーモニア管弦楽団 | C Major | 4 | 8B | 80 BPM |
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