"Tosca / Act 1: "Mia gelosa!"" by Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis was released on December 1, 1976. With this song being around four minutes long, at 4:02, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 40 in the song's album "Puccini: Tosca". In this album, this song's track order is #8. Furthermore, we believe that the track originated from Netherlands. Based on our statistics, Tosca / Act 1: "Mia gelosa!"'s popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Tosca / Act 1: "Mia gelosa!" by Giacomo Puccini, José Carreras, Montserrat Caballé, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Norma / Act 1: Perfido! | Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Orchestra of the Welsh National Opera, Richard Bonynge | E♭ Major | 2 | 5B | 82 BPM | ||
La Bohème (2003 Digital Remaster), ATTO SECONDO/ACT 2/ZWEITER AKT/DEUXIÈME ACTE: Quando me'n vo | Maria Callas, Georges Prêtre, Orchestre National de la RTF | D♭ Major | 2 | 3B | 80 BPM | ||
Verdi: Macbeth, Act 2: "Si colmi il calice" (Lady Macbeth, Coro, Macduff, Dama) | Giuseppe Verdi, Riccardo Muti, Ambrosian Opera Chorus, Fiorenza Cossotto, José Carreras, Maria Borgato, New Philharmonia Orchestra | E♭ Major | 3 | 5B | 100 BPM | ||
La Gioconda / Act 2: Il mio braccia t'afferra! | Amilcare Ponchielli, Montserrat Caballé, Agnes Baltsa, Sherrill Milnes, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Bruno Bartoletti | F Major | 3 | 7B | 129 BPM | ||
Andrea Chénier: Un dì all'azzurro spazio | Umberto Giordano, José Carreras, Giuseppe Patanè, Hungarian State Orchestra | B♭ Major | 2 | 6B | 84 BPM | ||
Lucia di Lammermoor / Act 2: "Soffriva nel pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 4 | 10B | 108 BPM | ||
Turandot | Renata Tebaldi, Erich Leinsdorf, Orchestra Del Teatro Dell'Opera Di Roma | F♯ Major | 0 | 2B | 84 BPM | ||
In Quelle Trine Morbide (Manon Lescaut) | Renata Tebaldi, Orchestre de la Suisse Romande | C Major | 2 | 8B | 74 BPM | ||
Carmen / Act 1: Ma Mère, je la vois! | Georges Bizet, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | G Major | 1 | 9B | 144 BPM | ||
Puccini: Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi) | Giacomo Puccini, Maria Callas, Renato Cioni, Tito Gobbi, Victor Godfrey, Robert Bowman, Dennis Wicks, David Sellar, Eric Garrett, Carlo Felice Cillario, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Edgar Boniface | B Minor | 3 | 10A | 93 BPM |
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