"4 Pezzi Sacri: I. Ave Maria" by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly was released on May 10, 2024. With this song being about 5 minutes long, at 4:48, "4 Pezzi Sacri: I. Ave Maria" by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Since Verdi: 4 Pezzi Sacri: I. Ave Maria only contains only one song in the album, we like to consider this song as a single. Based on our data, United Kingdom was the country where this track was produced or recorded. 4 Pezzi Sacri: I. Ave Maria is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 4 Pezzi Sacri: I. Ave Maria by Giuseppe Verdi, Coro Del Teatro Alla Scala Di Milano, Riccardo Chailly has a tempo of 67 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With 4 Pezzi Sacri: I. Ave Maria being at 67 BPM, the half-time would be 34 BPM with a double-time of 134 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Traviata / Act 3: "Ah, Violetta!" - "Voi? Signor?" | Giuseppe Verdi, Ileana Cotrubas, Plácido Domingo, Sherrill Milnes, Bavarian State Orchestra, Carlos Kleiber | A Minor | 1 | 8A | 105 BPM | ||
A Child of our Time, Part I: How can I cherish my man in such days...? (Soprano) | Michael Tippett, Pumeza Matshikiza, BBC Symphony Orchestra, Andrew Davis | E Minor | 1 | 9A | 141 BPM | ||
Litanies à la Vierge noire, FP 82 | Francis Poulenc, Ensemble Aedes, Louis-Noël Bestion de Camboulas, Mathieu Romano | A Major | 1 | 11B | 81 BPM | ||
Five Housman Songs Op 14, Part 3: No. 5, Because I liked you better | Lennox Berkeley, Robin Tritschler, Malcolm Martineau | E♭ Minor | 1 | 2A | 113 BPM | ||
HFTMRF | KNOXVILLETRACKZ | N/A | N/A | N/A | 0 BPM | ||
Nabucco / Act 1: Viva Nabucco! | Giuseppe Verdi, Ghena Dimitrova, Yevgeny Nesterenko, Plácido Domingo, Piero Cappuccilli, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | A Major | 3 | 11B | 79 BPM | ||
HFTMRR | KNOXVILLETRACKZ | N/A | N/A | N/A | 0 BPM | ||
Brief Mass: I. Kyrie | Dan Locklair, The Choir of Royal Holloway, Rupert Gough | B♭ Major | 0 | 6B | 87 BPM | ||
Symphony No. 3 "Symphony of Sorrowful Songs": IIa. Lento e Largo – Tranquillissimo "Mamo, nie płacz, nie" | Henryk Górecki, Hera Hyesang Park, Orchestra del Teatro Carlo Felice, Jochen Rieder | F♯ Minor | 2 | 11A | 80 BPM | ||
5 Preludes: No. 4. Andante con moto | William Alwyn, Royal Liverpool Philharmonic Orchestra, David Lloyd-Jones | E Major | 0 | 12B | 0 BPM |
Section: 0.8518667221069336
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