"Missa pro defunctis a 8 "Requiem": II. Kyrie" by Duarte Lobo, Gavin Turner, William Byrd Choir was released on May 1, 1987. The duration of Missa pro defunctis a 8 "Requiem": II. Kyrie is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Missa pro defunctis a 8 "Requiem": II. Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in William Byrd Choir, Duarte Lobo, Gavin Turner, Filipe de Magalhães's "Masterpieces of Portuguese Polyphony" album is number 2 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Missa pro defunctis a 8 "Requiem": II. Kyrie's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa pro defunctis a 8 "Requiem": II. Kyrie by Duarte Lobo, Gavin Turner, William Byrd Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 130 BPM, a half-time of 65BPM, and a double-time of 260 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sing Hallelujah | The Wessex Consort, Andrew King | F Major | 1 | 7B | 78 BPM | ||
Svjatki: I. Glory! | Galina Grigorjeva, Estonian Philharmonic Chamber Choir, Paul Hillier | B♭ Major | 3 | 6B | 83 BPM | ||
Esto mihi: II. In te, Domine, speravi | Heinrich Isaac, The Gesualdo Six, Owain Park | G Major | 2 | 9B | 112 BPM | ||
Missa in E-Flat Major, Op. 109: I. Kyrie | Josef Rheinberger, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Victoria: Amicus Meus - 1. Amicus Meus | The Tallis Scholars, Peter Phillips | F Minor | 1 | 4A | 80 BPM | ||
Graduale: III. Non timebit | Cristobal de Morales, Musica Ficta, Raúl Mallavibarrena | C Minor | 2 | 5A | 83 BPM | ||
Mass No. 2 in E Minor, WAB 27 (1882 Version): IV. Sanctus | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | D♭ Minor | 2 | 12A | 116 BPM | ||
Matthaus-Passion, SWV 479: Introitus | Heinrich Schütz, Julian Podger, Jakob Bloch Jespersen, Ars Nova Copenhagen, Paul Hillier | C Major | 2 | 8B | 86 BPM | ||
Quem vidistis pastores | Giovanni Bassano, Les Traversées Baroques, Etienne Meyer | G Minor | 2 | 6A | 98 BPM |
Section: 0.5652894973754883
End: 0.5705888271331787