"Missa in E-Flat Major, Op. 109: I. Kyrie" by Josef Rheinberger, Musica Sacra, Indra Hughes was released on January 1, 2002. The duration of Missa in E-Flat Major, Op. 109: I. Kyrie is about 3 minutes long, at 3:16. Based on our data, "Missa in E-Flat Major, Op. 109: I. Kyrie" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Musica Sacra, Indra Hughes's "Music Sacra" album is number 9 out of 16. On top of that, New Zealand appears to be the country where this track was created. Based on our statistics, Missa in E-Flat Major, Op. 109: I. Kyrie's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Missa in E-Flat Major, Op. 109: I. Kyrie by Josef Rheinberger, Musica Sacra, Indra Hughes to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ave verum | Philip Stopford, The Ecclesium Choir | F♯ Minor | 1 | 11A | 142 BPM | ||
Requiem in C Minor: I. Introitus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 0 | 4B | 58 BPM | ||
All Shall be Well | Roxanna Panufnik, Exultate Singers, Richard May, David Ogden | F Major | 1 | 7B | 69 BPM | ||
Missa in G Major, Op. 151 "St. Crucis": V. Benedictus | Josef Rheinberger, Vocalensemble Rastatt, Holger Speck | D Minor | 0 | 7A | 130 BPM | ||
Ubi caritas | Ola Gjeilo, Apollo5 | F♯ Minor | 0 | 11A | 101 BPM | ||
6 Hymns, Op. 118: V. Ave maris stella | Josef Rheinberger, Lydia Teuscher, Christine Müller, Kay Johannsen | A Major | 1 | 11B | 74 BPM | ||
Geistliche Chormusik, Op. 11: 4. Verleih uns Frieden genädiglich, SWV 372 | Heinrich Schütz, Frauke Hess, Ludger Rémy, Cappella Sagittariana Dresden, Dresdner Kammerchor, Hans-Christoph Rademann | A♭ Minor | 1 | 1A | 75 BPM | ||
Quatre petites prières de Saint François d’ Assise: IV. O mes très chers frères | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Geistliches Lied, Op. 30 | Johannes Brahms, Matthew Morley, St. Bride's Church Choir, Fleet Street, Robert Jones | E♭ Major | 1 | 5B | 172 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM |
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