"Esto mihi: II. In te, Domine, speravi" by Heinrich Isaac, The Gesualdo Six, Owain Park was released on October 29, 2021. With Esto mihi: II. In te, Domine, speravi being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in The Gesualdo Six, Johannes Ockeghem, Owain Park, Josquin des Prez, Loyset Compère, Antoine Brumel, Pierre de la Rue, Antoine de Févin, Jean Mouton, Adrian Willaert, Heinrich Isaac, Jean L'héritier's "Josquin's Legacy: Motets of the 15th & 16th Centuries" album is number 21 out of 30. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Esto mihi: II. In te, Domine, speravi is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Esto mihi: II. In te, Domine, speravi by Heinrich Isaac, The Gesualdo Six, Owain Park to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zieh ein zu deinen Toren | Sjaella | F Major | 0 | 7B | 77 BPM | ||
Guerrero: Conceptio tua | A5 Vocal Ensemble, Francisco Guerrero | G Major | 0 | 9B | 137 BPM | ||
Mass of the Americas: VII. Ave verum corpus | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | E Major | 3 | 12B | 88 BPM | ||
Te Deum à 8, MWV B 15: II. Te Aeternum Patrem | Felix Mendelssohn, Franziska Bobe, Sonntraud Engels-Benz, Frieder Bernius, Katharina Eberl, Maria Kalmbach, Sigrun Bornträger, Oliver Kringel, Daniel Schmid, Johannes Hill, Felix Rathgeber, Kammerchor Stuttgart | B♭ Minor | 0 | 3A | 68 BPM | ||
To Whom Shall I Cry? | Samsonov, The Russian Patriarchate Choir, Anatoly Grindenko | A♭ Major | 1 | 4B | 82 BPM | ||
Missa Ecce quam bonum: Osanna II | Jacob Clemens non Papa, The Brabant Ensemble, Stephen Rice | B♭ Minor | 1 | 3A | 95 BPM | ||
Laetatus sum I | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Missa Wohlauff gut Gsell von hinnen: IIb. Gratias agimus tibi | Heinrich Isaac, Cinquecento | A Minor | 1 | 8A | 105 BPM | ||
O Salutaris Hostia | Pierre de la Rue, Netherlands Chamber Choir, Paul Van Nevel | G Major | 1 | 9B | 135 BPM | ||
Missa Wohlauff gut Gsell von hinnen: Ib. Christe | Heinrich Isaac, Cinquecento | F Major | 2 | 7B | 98 BPM |
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