"Victoria: Amicus Meus - 1. Amicus Meus" by The Tallis Scholars, Peter Phillips was released on January 1, 1990. With Victoria: Amicus Meus - 1. Amicus Meus being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Tenebrae Responsories by The Tallis Scholars, Peter Phillips. The song's track number on the album is #1 out of 84 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Victoria: Amicus Meus - 1. Amicus Meus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Victoria: Amicus Meus - 1. Amicus Meus by The Tallis Scholars, Peter Phillips has a tempo of 80 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Victoria: Amicus Meus - 1. Amicus Meus being at 80 BPM, the half-time would be 40 BPM with a double-time of 160 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 5/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Jubilate Deo: Kyrie | Schola Laudis, Kevin Allen | A♭ Major | 4 | 4B | 124 BPM | ||
Palestrina: Missa Brevis - 4e. In nomine | Giovanni Pierluigi da Palestrina, The Tallis Scholars, Peter Phillips | E♭ Major | 1 | 5B | 67 BPM | ||
Crecquillon: Pater peccavi - 2. Quanti mercenarii | Thomas Crecquillon, Peter Phillips, The Tallis Scholars | G Major | 1 | 9B | 77 BPM | ||
Tallis: Lamentations of Jeremiah 1 - 1. Incipit lamentatio Jeremiae | Thomas Tallis, The Tallis Scholars, Peter Phillips | G Major | 0 | 9B | 137 BPM | ||
Tallis: Salvator Mundi, Salva Nos II | The Tallis Scholars, Peter Phillips | D Major | 1 | 10B | 81 BPM | ||
Victoria: Libera me, Domine - 6. Requiem aeternam | Tomás Luis de Victoria, Peter Phillips, The Tallis Scholars | E Minor | 1 | 9A | 75 BPM | ||
Pange lingua, WAB 33 | Anton Bruckner, Latvian Radio Choir, Sigvards Kļava | C Major | 0 | 8B | 132 BPM | ||
Missa Sanctae Crucis, MH 56: Credo | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | B Major | 1 | 1B | 169 BPM | ||
Palestrina: Assumpta Est Maria in Caelum - 4. Quae Est Ista | The Tallis Scholars, Peter Phillips | F♯ Minor | 2 | 11A | 78 BPM | ||
Elevatio O miraculum! | Sébastien de Brossard, Sébastien Daucé, Ensemble Corrrespondances | C Major | 2 | 8B | 94 BPM |
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