Carl Orff, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa made "Carmina Burana / Uf dem Anger: IX. Swaz hie gat umbe - Chume, chum geselle min" available on January 1, 1989. With this song being about 5 minutes long, at 4:39, "Carmina Burana / Uf dem Anger: IX. Swaz hie gat umbe - Chume, chum geselle min" by Carl Orff, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Netherlands. Carmina Burana / Uf dem Anger: IX. Swaz hie gat umbe - Chume, chum geselle min is unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Carmina Burana / Uf dem Anger: IX. Swaz hie gat umbe - Chume, chum geselle min by Carl Orff, Shinyukai Choir, Berliner Philharmoniker, Seiji Ozawa having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brandenburg Concerto No. 3 in G major, BWV 1048: Allegro | Rudolf Baumgartner | G Major | 6 | 9B | 122 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): I. O Fortuna, velut Luna (Oh Fortune, variable as the moon) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | B♭ Major | 2 | 6B | 150 BPM | ||
Music For The Royal Fireworks: Suite HWV 351: 1. Ouverture | George Frideric Handel, The English Concert, Trevor Pinnock | D♭ Major | 4 | 3B | 136 BPM | ||
Carmina Burana Suite, "Cantiones profanae" (arr. J. Krance): V. Floret silva nobilis (The noble forest) | John Krance, Carl Orff, Peabody Conservatory Wind Ensemble, Harlan D. Parker | G Major | 0 | 9B | 92 BPM | ||
Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 | Edward Elgar, Andrew Davis, BBC Philharmonic | D Major | 3 | 10B | 122 BPM | ||
Carmina Burana: Tempus est iocundum | Carl Orff, Cleveland Orchestra, Michael Tilson Thomas | D Major | 3 | 10B | 78 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Carmen, Opera Suite No. 2: II. Habanera (Act 1) | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 123 BPM | ||
Carmina Burana / I. Primo vere: "Omnia Sol temperat" | Carl Orff, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 0 | 6B | 76 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": IV. Allegro con fuoco | Antonín Dvořák, Symphonieorchester des Bayerischen Rundfunks, Andris Nelsons | E Minor | 1 | 9A | 143 BPM |
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