Edward Elgar, Andrew Davis, BBC Philharmonic's 'Military Marches, Op. 39 "Pomp and Circumstance": March No. 1' came out on April 1, 2012. Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 is about six minutes long, preciously at 6:14, making this song fairly long compared to other songs. The song is number 8 out of 12 in Elgar: Cello Concerto, Introduction and Allegro, Elegy & Marches Nos. 1 to 5 by Edward Elgar, Andrew Davis, BBC Philharmonic, Paul Watkins. Based on our statistics, Military Marches, Op. 39 "Pomp and Circumstance": March No. 1's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Military Marches, Op. 39 "Pomp and Circumstance": March No. 1 by Edward Elgar, Andrew Davis, BBC Philharmonic is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Die Walküre, WWV 86B, Act 3: Walkürenritt (Concert Version. Lebhaft) | Richard Wagner, Klaus Tennstedt, Berliner Philharmoniker | G Major | 3 | 9B | 95 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Te Deum: Prélude | Marc-Antoine Charpentier, Orchestre Paul Kuentz | A♭ Major | 0 | 4B | 169 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, Leonard Bernstein, New York Philharmonic | D♭ Major | 1 | 3B | 78 BPM | ||
Radetzky-Marsch, Op. 228 | Johann Strauss I, Berliner Philharmoniker, Herbert von Karajan | A Major | 3 | 11B | 107 BPM | ||
Radetzky-Bankett-Marsch (fragment) | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | C Major | 1 | 8B | 101 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Carmen, Opera Suite No. 1: I. Prelude, Act 1 | London Festival Orchestra Alfred Scholz | G Minor | 1 | 6A | 47 BPM | ||
Beethoven: Egmont, Op. 84: Overture | Ludwig van Beethoven, Kurt Masur, New York Philharmonic | A♭ Major | 3 | 4B | 106 BPM | ||
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington | F Major | 2 | 7B | 132 BPM |
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