Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's 'The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity' came out on May 11, 2018. Since The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Stuttgart Radio Symphony Orchestra, Sir Roger Norrington's "Holst: The Planets, Op. 32 - Elgar: Serenade for Strings in E Minor, Op. 20" album is number 4 out of 10. On top of that, Germany appears to be the country where this track was created. Based on our statistics, The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity's popularity is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity by Gustav Holst, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington to be Allegro (fast, quick, and bright) because the track has a tempo of 132 BPM, a half-time of 66BPM, and a double-time of 264 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 2 | 10B | 99 BPM | ||
A Somerset Rhapsody, Op. 21, No. 2 | Gustav Holst, Royal Philharmonic Orchestra, Owain Arwel Hughes | B Minor | 0 | 10A | 65 BPM | ||
Slava! | Leonard Bernstein, Dallas Wind Symphony, Frederick Fennell | C Minor | 3 | 5A | 146 BPM | ||
Gayane: Sabre Dance - Redbook Stereo | Aram Khachaturian, Arthur Fiedler | C Major | 6 | 8B | 90 BPM | ||
Grand Canyon Suite: I Sunrise | Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg | A Major | 2 | 11B | 111 BPM | ||
Russian Sailor's Dance | US Army Band | A Minor | 4 | 8A | 154 BPM | ||
Carmen Suite No. 1: I. Prelude, Act 1 | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
Romeo and Juliet Suite: Montagues and Capulets | Sergei Prokofiev, Chicago Symphony Orchestra, Riccardo Muti | A Minor | 1 | 8A | 94 BPM | ||
Simple Gifts: Four Shaker Songs: No. 4. Simple Gifts | Frank Ticheli, Michigan State University Wind Symphony, John Whitwell | B♭ Major | 0 | 6B | 81 BPM | ||
The Planets, Op. 32: VII. Neptune, the Mystic | Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes | E Major | 0 | 12B | 68 BPM |
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