"Concierto de Aranjuez für Gitarre und Orchester: I. Allegro con spirito" by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal was released on April 19, 2013. Concierto de Aranjuez für Gitarre und Orchester: I. Allegro con spirito is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. The song is number 4 out of 6 in Classic for You: Giuliani: Konzert für Gitarre und Streichorchester - Rodrigo: Concierto de Aranjuez by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Concierto de Aranjuez für Gitarre und Orchester: I. Allegro con spirito's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Concierto de Aranjuez für Gitarre und Orchester: I. Allegro con spirito by Slowakisches Kammerorchester, Jozef Zsapka, Bohdan Warchal is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio) | Edward Elgar, Orchestre Symphonique de Montréal, Charles Dutoit | A Minor | 0 | 8A | 125 BPM | ||
String Quartet in F, H.III No.17, Op.3 No.5 - "Serenade": 2. Andante cantabile | Roman Hoffstetter, I Musici | C Major | 0 | 8B | 88 BPM | ||
Salut d'amour, Op. 12 (Arr. Cello & Piano) | Edward Elgar, Lynn Harrell, Bruno Canino | D Major | 1 | 10B | 144 BPM | ||
Vocalise, Op. 34, No. 14 (Arr. for Cello and Piano) | Sergei Rachmaninoff, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 0 | 12A | 93 BPM | ||
Jocelyn - Opera In 4 Acts: Berceuse | Benjamin Godard, Patrick Gallois, Fabrice Pierre, London Festival Orchestra, Ross Pople | F Major | 0 | 7B | 70 BPM | ||
Orfeo ed Euridice Wq. 30 - Vienna Version (1762) / Act 2: Ballo (Dance of the Blessed Spirits) | Christoph Willibald Gluck, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | F Major | 1 | 7B | 79 BPM | ||
Piano Concerto no. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Kirill Kondrashin, Staatliches Sinfonie Orchester Istanbul | C Minor | 0 | 5A | 73 BPM | ||
Apres Une Reve | Gabriel Fauré, Nicola Benedetti | F Minor | 1 | 4A | 168 BPM | ||
Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | ||
L'Arlesienne Suite, Nr. 1: III. Adagietto | Georges Bizet, Slovak Philharmonic, Anthony Bramall | F Major | 0 | 7B | 57 BPM |
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