"Jocelyn - Opera In 4 Acts: Berceuse" by Benjamin Godard, Patrick Gallois, Fabrice Pierre, London Festival Orchestra, Ross Pople was released on January 1, 2000. The duration of Jocelyn - Opera In 4 Acts: Berceuse is about 3 minutes long, at 3:03. Based on our data, "Jocelyn - Opera In 4 Acts: Berceuse" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 9 in Blue Classics - Music for Relaxation by Berliner Philharmoniker, Gewandhausorchester, Carlo Maria Giulini, Paul Kuentz, Kurt Masur, Seiji Ozawa, Giuseppe Sinopoli, London Festival Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Jocelyn - Opera In 4 Acts: Berceuse is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Jocelyn - Opera In 4 Acts: Berceuse by Benjamin Godard, Patrick Gallois, Fabrice Pierre, London Festival Orchestra, Ross Pople is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le Carnaval des Animaux, R.125: Le Cygne | Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov | G Major | 1 | 9B | 114 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": III. Andante | Felix Mendelssohn, RTÉ National Symphony Orchestra, Reinhard Seifried | G Minor | 0 | 6A | 96 BPM | ||
II. Tempo di Valse | Antonín Dvořák, Ross Pople, London Festival Orchestra | C Major | 0 | 8B | 171 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM | ||
Hungarian Dance No. 1 in G Minor: Allegro molto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | G Minor | 1 | 6A | 91 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | F Major | 2 | 7B | 88 BPM | ||
Fauré: 3 Mélodies, Op. 7: No. 1, Après un rêve (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | F Minor | 1 | 4A | 82 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
Hungarian Dance No. 4 in F Minor: Poco sostenuto | Johannes Brahms, London Festival Orchestra, Alfred Scholz | B♭ Major | 1 | 6B | 135 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | F Major | 3 | 7B | 104 BPM |
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