""West Side Story" - Symphonic Dances: 3. Scherzo" by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman was released on January 1, 1997. With "West Side Story" - Symphonic Dances: 3. Scherzo being less than two minutes long, at 1:23, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 20 in Bernstein: West Side Story Symphonic Dances; Facsimile; Fancy Free; Candide Overture by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. "West Side Story" - Symphonic Dances: 3. Scherzo is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "West Side Story" - Symphonic Dances: 3. Scherzo by Leonard Bernstein, Baltimore Symphony Orchestra, David Zinman is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Symphony No. 4 in A Major, Op. 90, MWV N 16 "Italian": I. Allegro vivace | Felix Mendelssohn, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 65 BPM | ||
Grand Canyon Suite: 3. On the Trail | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | A Major | 1 | 11B | 80 BPM | ||
Sir John in Love: Fantasia on Greensleeves | Ralph Vaughan Williams, Leonard Bernstein, New York Philharmonic | C Minor | 1 | 5A | 105 BPM | ||
Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato | Edvard Grieg, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 119 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Piano Trio: II. Tempo di marcia | Leonard Bernstein, Charles Bernard, Opus Two | D Minor | 3 | 7A | 107 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Sorochinskaya yarmarka (Sorochintsi Fair): Gopak (Hopak) (arr. N. Rimsky-Korsakov for orchestra) | Modest Mussorgsky, Nikolai Rimsky-Korsakov, Ukraine National Symphony Orchestra, Theodore Kuchar | E♭ Major | 2 | 5B | 66 BPM | ||
Mass In C Minor, K.427 "Grosse Messe" - Version By Franz Beyer: Gloria: Gloria in excelsis Deo - Live | Wolfgang Amadeus Mozart, Bavarian Radio Symphony Orchestra, Leonard Bernstein, Bavarian Radio Chorus | C Major | 2 | 8B | 125 BPM |
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