"Grand Canyon Suite: 3. On the Trail" by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti was released on January 1, 1983. Since Grand Canyon Suite: 3. On the Trail is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti's "Grofé: Grand Canyon Suite/Gershwin: Porgy & Bess" album is number 4 out of 6. On top of that, United Kingdom appears to be the country where this track was created. Grand Canyon Suite: 3. On the Trail is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: 3. On the Trail by Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rodeo: 4. Hoe-Down | Aaron Copland, Detroit Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 177 BPM | ||
Symphony No. 7 in A Major, Op. 92: III. Presto - Assai meno presto | Ludwig van Beethoven, Royal Philharmonic Orchestra, Antal Doráti | F Minor | 0 | 4A | 77 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Symphony No. 2 in G Minor, "Song of a New Race": II. Slowly and deeply expressive | William Grant Still, Fort Smith Symphony, John Jeter | G Major | 0 | 9B | 69 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute (Allegro) | Ludwig van Beethoven, Royal Philharmonic Orchestra, Antal Doráti | F Major | 2 | 7B | 143 BPM | ||
English Folk Song Suite (arr. G. Jacob): III. Intermezzo, "My Bonny Boy" | Ralph Vaughan Williams, Gordon Jacob, Royal Liverpool Philharmonic Orchestra, James Judd | C Minor | 0 | 5A | 92 BPM | ||
Symphony in D, H.I No. 53 - "L'Impériale": 1. Largo maestoso - Vivace | Joseph Haydn, Philharmonia Hungarica, Antal Doráti | D Major | 2 | 10B | 98 BPM | ||
Symphony No. 4 in D Minor: II. Andante cantabile | Florence Beatrice Price, Fort Smith Symphony, John Jeter | B♭ Major | 0 | 6B | 93 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM |
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