"Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang" by Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez was released on January 1, 1998. The duration of Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 10 in the song's album "Strauss, R.: Also sprach Zarathustra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang by Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 4. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Minor | 2 | 6A | 166 BPM | ||
String Quartet No.14 In C Sharp Minor, Op.131: 6. Adagio quasi un poco andante | Ludwig van Beethoven, Emerson String Quartet | A♭ Minor | 0 | 1A | 91 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": Maestoso | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | C Major | 1 | 8B | 49 BPM | ||
Symphonie fantastique, Op. 14: IV. Marche au supplice (Allegretto non troppo) | Hector Berlioz, Cleveland Orchestra, Pierre Boulez | G Minor | 2 | 6A | 75 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: Introduction | Richard Strauss, Staatskapelle Dresden, Rudolf Kempe | C Major | 2 | 8B | 71 BPM | ||
St. Matthew Passion, BWV 244 / Part Two: "Wir setzen uns mit Tränen nieder" | Johann Sebastian Bach, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | C Minor | 2 | 5A | 68 BPM | ||
Eine Alpensinfonie, Op. 64, TrV 233: X. Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Andrés Orozco-Estrada, Hr-sinfonieorchester | F Major | 3 | 7B | 71 BPM | ||
The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Philharmonic Orchestra, Vernon Handley | F Minor | 3 | 4A | 149 BPM | ||
Die Walküre, WWV 86B - Concert version / Dritter Aufzug: The Ride of the Valkyries | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | G Major | 4 | 9B | 91 BPM | ||
Symphony No. 5 in C Minor, Op. 67: IV. Allegro | Ludwig van Beethoven, Wiener Philharmoniker, Carlos Kleiber | C Major | 3 | 8B | 83 BPM |
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