Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato
Edvard Grieg, Leonard Bernstein, New York Philharmonic
Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2
2:33 December 22, 2017
BPM
119
Key
G Major
Camelot
9B

Embed

Share Link

Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato - Edvard Grieg, Leonard Bernstein, New York Philharmonic Information

Acousticness
79%
Danceability
49%
Energy
25%
Instrumentalness
59%
Liveness
12%
Loudness
75%
Speechiness
6%
Valence
9%
Popularity
Loudness
-14.905 dB

Summary

"Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato" by Edvard Grieg, Leonard Bernstein, New York Philharmonic was released on December 22, 2017. The duration of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato is about two minutes long, specifically at 2:33. This song does not appear to have any foul language. Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato BPM

The tempo marking of Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato by Edvard Grieg, Leonard Bernstein, New York Philharmonic is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.

Peer Gynt Suite No. 1, Op. 46: IV. In the Hall of the Mountain King. Alla marcia e molto marcato Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzA Minor08A76 BPM
Pictures At An Exhibition: Gnomus by Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniPictures At An Exhibition: GnomusModest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria GiuliniB Major01B99 BPM
Tritsch-Tratsch-Polka, Op. 214 by Johann Strauss II, Leonard Bernstein, New York PhilharmonicTritsch-Tratsch-Polka, Op. 214Johann Strauss II, Leonard Bernstein, New York PhilharmonicA Major511B155 BPM
Capriccio espagnol, Op. 34: IV. Scena e canto gitano by Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzCapriccio espagnol, Op. 34: IV. Scena e canto gitanoNikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard SchwarzA Minor18A78 BPM
Danse macabre, Op. 40, R. 171 - Remastered 2013 by Camille Saint-Saëns, Leonard Bernstein, New York PhilharmonicDanse macabre, Op. 40, R. 171 - Remastered 2013Camille Saint-Saëns, Leonard Bernstein, New York PhilharmonicG Minor26A107 BPM
Mass: XIV. Sanctus - Live by Leonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Street Chorus CastMass: XIV. Sanctus - LiveLeonard Bernstein, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, The American Boychoir, Street Chorus CastE Minor19A141 BPM
Symphony in C Minor, EG 119: II. Adagio espressivo by Edvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetSymphony in C Minor, EG 119: II. Adagio espressivoEdvard Grieg, Malmö Symphony Orchestra, Bjarte EngesetE Major112B78 BPM
Variations On An Original Theme, Op.36 Variations On An Original Theme, Op.36 "Enigma": 5. R.P.A. (Moderato)Edward Elgar, BBC Symphony Orchestra, Leonard BernsteinC Minor05A83 BPM
Japanese Suite, Op. 33: III. Dance of the Marionette by Gustav Holst, Ulster Orchestra, Joann FallettaJapanese Suite, Op. 33: III. Dance of the MarionetteGustav Holst, Ulster Orchestra, Joann FallettaC Minor05A177 BPM
21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz21 Hungarian Dances, WoO 1: Hungarian Dance No. 16 in F MinorSeattle Symphony Orchestra, Johannes Brahms, Gerard SchwarzF Major17B83 BPM
ISRC
USSM11703115
Label
L-M Records/RCA Records

Section: 0.8835227489471436

End: 0.8879666328430176