"Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato" by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo was released on September 22, 2023. Since Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Villa-Lobos: Cello Concertos, Nos. 1 & 2 & Fantasia for Cello & Orchestra by Heitor Villa-Lobos, Isaac Karabtchevsky, Antonio Meneses, Orquestra Sinfônica do Estado de São Paulo. The song's track number on the album is #2 out of 10 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato by Heitor Villa-Lobos, Antonio Meneses, Isaac Karabtchevsky, Orquestra Sinfônica do Estado de São Paulo has a tempo of 73 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Cello Concerto No. 1, Op. 50, W095: II. Tempo de gavotte. Assai moderato being at 73 BPM, the half-time would be 36 BPM with a double-time of 146 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rose Petal Waltz | Agneta Krilova, Trio NYX | D♭ Major | 1 | 3B | 126 BPM | ||
Sonata No. 2 in A Minor, Op. 27 No. 2: I. Obsession (Arr. For Mandolin by Alon Sariel) | Eugène Ysaÿe, Alon Sariel | G Minor | 5 | 6A | 99 BPM | ||
Gymnopédie No. 3 | Erik Satie, Louis Lane, The Cleveland Orchestra | A Minor | 0 | 8A | 75 BPM | ||
Night Music | James Ricci, Filharmonie Brno, Mikel Toms | F♯ Minor | 1 | 11A | 129 BPM | ||
Sonate e Partite: No. 36, Allegretto | Francesco Lecce, Claudio Ferrarini | C Major | 2 | 8B | 67 BPM | ||
Piano Concerto No. 3 in C Major, Op. 144: II. Largo | Carl Reinecke, Simon Callaghan, Sinfonieorchester St. Gallen, Modestas Pitrenas | A♭ Major | 0 | 4B | 58 BPM | ||
私のお父さん~歌劇『ジャンニ・スキッキ』から | Giacomo Puccini, Akira Senju, 千住真理子 | A♭ Major | 2 | 4B | 91 BPM | ||
Saint-Saëns: The Swan (Le Cygne) | Conrad Zwicky | G Major | 0 | 9B | 69 BPM | ||
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM |
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