Conrad Zwicky's 'Saint-Saëns: The Swan (Le Cygne)' came out on 1995. The duration of Saint-Saëns: The Swan (Le Cygne) is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Saint-Saëns: The Swan (Le Cygne)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 13 in the song's album "Populäre Orgelmusik Popular organ music". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Switzerland. Saint-Saëns: The Swan (Le Cygne) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: The Swan (Le Cygne) by Conrad Zwicky having a BPM of 69 with a half-time of 34 BPM and a double-time of 138 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Berceuse, Op. 16 | Gabriel Fauré, Philippa Davies, Thelma Owen | A♭ Minor | 0 | 1A | 67 BPM | ||
Short Cuts: I. Flute | John Carmichael, Susan Torke, Antony Gray | A Minor | 0 | 8A | 49 BPM | ||
Morocco Wife | Mikko Finneman | B Minor | 1 | 10A | 84 BPM | ||
A Little Prayer | Evelyn Glennie, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | ||
Epigrammak (Epigrams) (arr. L. Lencses): No. 1. Lento | Lajos Lencsés, Zoltán Kodály, Budapest Strings | A♭ Major | 1 | 4B | 96 BPM | ||
28 Variazions on Aria “ I Was Sleeping and Then I Dreamed” for Solo Flute in G Major: Variation 6 (Recomposed by Luca Astolfoni Fossi) | Johann Joachim Quantz, Claudio Ferrarini | G Major | 2 | 9B | 86 BPM | ||
08 Mendelssohn : Sonata 3 A-Dur Con Moto Maestoso | Conrad Zwicky | A Major | 2 | 11B | 69 BPM | ||
Four Pieces from a Distance: No. 4, Children of the Heavenly Father/Amen | Håkon Daniel Nystedt, Oslo Kammerkor, NyNorsk Messingkvintett, Anders Eidsten Dahl | C Major | 0 | 8B | 70 BPM | ||
Elf Choralvorspiele, Op. 122: Nr. 6 O wie selig seid ihr doch, ihr Frommen | Johannes Brahms, Anders Eidsten Dahl | D Minor | 0 | 7A | 73 BPM | ||
Kansalaislaulu (Olet maamme armahin Suomenmaa) | SRK Instrumentaali, Virve Ruokokoski, Kristiina Puolitaival | B♭ Major | 1 | 6B | 64 BPM |
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