Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset's 'Le Pouvoir de l'Amour, Deuxième entrée Scène 2: Rondeau' came out on May 5, 2023. With Le Pouvoir de l'Amour, Deuxième entrée Scène 2: Rondeau being less than two minutes long, at 1:27, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Pancrace Royer: Surprising Royer, Orchestral Suites". In this album, this song's track order is #6. Furthermore, we believe that the track originated from France. In terms of popularity, Le Pouvoir de l'Amour, Deuxième entrée Scène 2: Rondeau is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Le Pouvoir de l'Amour, Deuxième entrée Scène 2: Rondeau by Joseph-Nicolas-Pancrace Royer, Les Talens Lyriques, Christophe Rousset having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chiome d'oro, SV 143 | Claudio Monteverdi, Sonia Wieder-Atherton | C Major | 1 | 8B | 119 BPM | ||
Concerto for Strings in G Minor, RV 156: I. Allegro | Antonio Vivaldi, Concerto Italiano, Rinaldo Alessandrini | F♯ Minor | 2 | 11A | 119 BPM | ||
Purcell: Dido and Aeneas, Z. 626: Overture | Henry Purcell, Emmanuelle Haïm, Le Concert d'Astrée | B Minor | 3 | 10A | 100 BPM | ||
Sinfonia to Il Giardino di Amore: II. Largo e piano | Alessandro Scarlatti, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Minor | 0 | 10A | 80 BPM | ||
Jesu, meines Lebens Leben, BuxWV 62 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | D Minor | 1 | 7A | 56 BPM | ||
Pyrrhus, Act I, Scene 4: "Quel prix d’une si tendre ardeur !" - Live Recording at La Salle des Croisades du Château de Versailles | Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Alain Buet, Jeffrey Thompson | B♭ Minor | 1 | 3A | 131 BPM | ||
Troisième livre: La de Chamlay | Jacques Duphly, Christophe Rousset | A♭ Major | 3 | 4B | 85 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Pergolesi: Stabat Mater: III. O quam tristis et afflicta | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 1 | 11A | 111 BPM | ||
Deuxième Suite in G Major: IV. La Leclair - Très vivement et détaché | Antoine Forqueray, Jean-Baptiste Forqueray, Michèle Dévérité, Kaori Uemura, Ricardo Rodríguez | F♯ Major | 1 | 2B | 77 BPM |
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