Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Alain Buet, Jeffrey Thompson's 'Pyrrhus, Act I, Scene 4: "Quel prix d’une si tendre ardeur !" - Live Recording at La Salle des Croisades du Château de Versailles' came out on 2012. Pyrrhus, Act I, Scene 4: "Quel prix d’une si tendre ardeur !" - Live Recording at La Salle des Croisades du Château de Versailles is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. There are a total of 51 in the song's album "Royer: Pyrrhus (Live Recording at La Salle des Croisades du Château de Versailles)". In this album, this song's track order is #18. Furthermore, we believe that the track originated from France. Based on our statistics, Pyrrhus, Act I, Scene 4: "Quel prix d’une si tendre ardeur !" - Live Recording at La Salle des Croisades du Château de Versailles's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pyrrhus, Act I, Scene 4: "Quel prix d’une si tendre ardeur !" - Live Recording at La Salle des Croisades du Château de Versailles by Joseph-Nicolas-Pancrace Royer, Les Enfants d'Apollon, Michael Greenberg, Alain Buet, Jeffrey Thompson having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata X in G Major for Two Cellos: III. Allegro prestissimo | Jean Barrière, Patrick Demenga, Thomas Demenga | D Major | 2 | 10B | 153 BPM | ||
Concerto in D Minor for Oboe, Strings and Continuo: III. Presto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso, Andrea Mion | D♭ Minor | 4 | 12A | 98 BPM | ||
Royer: Pièces de clavecin, Book 1 (1746): No. 14 La Marche, des Scythes | Joseph-Nicolas-Pancrace Royer, Jean Rondeau | B♭ Minor | 5 | 3A | 79 BPM | ||
Concerto No. 1 in D Major, SF 936 "La Cetra": II. Larghetto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | D♭ Major | 1 | 3B | 106 BPM | ||
Rameau: Premier livre de pièces de Clavecin, (1706), Suite in A Minor, RCT 1: No. 1 Prélude | Jean-Philippe Rameau, Jean Rondeau | G Minor | 3 | 6A | 80 BPM | ||
Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | A Minor | 0 | 8A | 63 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM |
Section: 0.5827333927154541
End: 0.5866920948028564