"Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne" by Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis was released on June 3, 2022. The duration of Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Jacqueline du Pré, Antonín Dvořák, Frédéric Chopin, Gabriel Fauré, Johann Sebastian Bach, Johannes Brahms, Ludwig van Beethoven, Robert Schumann, Edward Elgar's "Joy of the Cello" album is number 5 out of 43. On top of that, United Kingdom appears to be the country where this track was created. Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Saint-Saëns: Le Carnaval des animaux: XIII. Le Cygne by Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis to be Larghetto (rather broadly) because the track has a tempo of 63 BPM, a half-time of 32BPM, and a double-time of 126 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sonata in F Minor, Op. 120, No. 1: II. Andante un poco Adagio | Johannes Brahms, Richard Goode, Michael Tree | D♭ Major | 0 | 3B | 177 BPM | ||
Marchenbilder (Fairy Tales), Op. 113: III. Rasch | Robert Schumann, Tabea Zimmermann, Hartmut Höll | F Major | 1 | 7B | 82 BPM | ||
Romance for Viola & Orchestra in F Major, Op. 85 | Max Bruch, Yuri Bashmet, Neeme Järvi | F Major | 0 | 7B | 105 BPM | ||
Morpheus | Rebecca Clarke, Philip Dukes, Sophia Rahman | E♭ Major | 0 | 5B | 64 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Sir John Barbirolli, London Symphony Orchestra | B♭ Major | 1 | 6B | 127 BPM | ||
Suite No. 1, P. 109: III. Villanella: Andante Cantabile | Ottorino Respighi, RTÉ National Symphony Orchestra | B Minor | 0 | 10A | 88 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): II. Adagio | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Minor | 2 | 8A | 108 BPM | ||
Lied opus 34 no.2, transcription Franz Liszt: Auf Flügeln Des Gesanges | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 0 | 4B | 71 BPM | ||
String Quartet No. 2 in A Minor: II. Andante cantabile (Arr. Colbert for String Ensemble) | Florence Beatrice Price, Sphinx Virtuosi | E Minor | 2 | 9A | 116 BPM | ||
Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": I. Allegro animato | Camille Saint-Saëns, Louis Schwizgebel, BBC Symphony Orchestra, Martyn Brabbins | F Major | 1 | 7B | 87 BPM |
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