"16 Waltzes, Op. 39: No. 13 in B Major" by Johannes Brahms, Stephen Kovacevich was released on January 1, 2015. With 16 Waltzes, Op. 39: No. 13 in B Major being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 24 in Brahms: Waltzes, Op. 39; Rhapsodies, Op. 79; Klavierstücke, Op. 118 by Johannes Brahms, Stephen Kovacevich. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. 16 Waltzes, Op. 39: No. 13 in B Major is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 16 Waltzes, Op. 39: No. 13 in B Major by Johannes Brahms, Stephen Kovacevich is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orfeo ed Euridice, Wq. 30 (Arranged by Sgambati): Melodie dell'Orfeo | Christoph Willibald Gluck, Yuja Wang | D Minor | 0 | 7A | 70 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
WHEN THE GRASS WAS GREENER / Nino Rota: Valzer | Nino Rota, Alice Sara Ott | E Major | 1 | 12B | 71 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Ständchen, S. 560 (Trans. from Schwanengesang No. 4, D. 957) | Franz Schubert, Franz Liszt, Khatia Buniatishvili | D Major | 0 | 10B | 67 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
6 Album Leaves, Op. 2, JB 1:51: No. 3 in G Major, Vivace | Bedřich Smetana, Jitka Čechová | G Major | 2 | 9B | 144 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
21 Hungarian Dances, WoO 1 (Arr. for Violin & Piano): No. 2 in D Minor | Joseph Joachim, Johannes Brahms, Baiba Skride, Lauma Skride | D Minor | 2 | 7A | 158 BPM |
Section: 0.9944446086883545
End: 0.998314380645752