"Carmen Suite No. 1: Séguedille. Allegretto (Act I)" by Georges Bizet, Leonard Bernstein, New York Philharmonic was released on December 22, 2017. With Carmen Suite No. 1: Séguedille. Allegretto (Act I) being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 19 in Bizet: Carmen Suites Nos. 1 & 2 - Grieg: Peer Gynt Suites Nos. 1 & 2 by Leonard Bernstein, New York Philharmonic. In terms of popularity, Carmen Suite No. 1: Séguedille. Allegretto (Act I) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Carmen Suite No. 1: Séguedille. Allegretto (Act I) by Georges Bizet, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Symphony No.3 In C Minor, Op.78 "Organ Symphony": 2. Allegro moderato - Presto - Allegro moderato - Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | F Minor | 2 | 4A | 117 BPM | ||
Violin Concerto, Op. 14: II. Andante | Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 107 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 7. Troyte (Presto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 5 | 8B | 157 BPM | ||
Le carnaval des animaux, R. 125: 5. L'Élephant | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | B♭ Major | 1 | 6B | 139 BPM | ||
Symphony No. 8: II. Scherzo. Allegro moderato — Trio. Langsam (Slow). Scherzo da capo | Anton Bruckner, New York Philharmonic, Alan Gilbert | A♭ Major | 1 | 4B | 109 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Symphony No. 1 in D Major "Titan": IIIb. A tempo. Ziemlich langsam | Gustav Mahler, Leonard Bernstein, New York Philharmonic | G Minor | 0 | 6A | 169 BPM | ||
Aus aller Herren Landern (From Foreign Lands), Op. 23: III. German: Andante | Moritz Moszkowski, Markus Pawlik, Polish National Radio Symphony Orchestra, Antoni Wit | F Major | 0 | 7B | 58 BPM | ||
Das Liebesverbot: Overture | Richard Wagner, Staatskapelle Dresden, Giuseppe Sinopoli | G Major | 6 | 9B | 120 BPM | ||
L'Arlésienne Suite No. 2 (Arr. E. Guiraud for Orchestra): III. Minuetto | Ernest Guiraud, Georges Bizet, Budapest Philharmonic Orchestra, Janos Sandor | E♭ Major | 0 | 5B | 75 BPM |
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