- BPM
- 107
- Key
- E Major
- Camelot
- 12B
Violin Concerto, Op. 14: II. Andante - Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic Information
- Acousticness
- 94%
- Danceability
- 17%
- Energy
- 12%
- Instrumentalness
- 53%
- Liveness
- 9%
- Loudness
- 65%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 5%
- Loudness
- -20.936 dB
Summary
"Violin Concerto, Op. 14: II. Andante" by Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic was released on 1965. Since Violin Concerto, Op. 14: II. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 3 in Barber: Violin Concerto, Op. 14 by Samuel Barber, Isaac Stern, Leonard Bernstein. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Violin Concerto, Op. 14: II. Andante is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Violin Concerto, Op. 14: II. Andante BPM
The tempo marking of Violin Concerto, Op. 14: II. Andante by Samuel Barber, Isaac Stern, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 107 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Violin Concerto, Op. 14: II. Andante Key
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, London Mozart Players, Howard Shelley | F Major | 0 | 7B | 179 BPM | |
 | Capricorn Concerto, Op. 21: II. Allegretto | Samuel Barber, Stephane Rancourt, John Gracie, Karen Jones, Royal Scottish National Orchestra, Marin Alsop | G Major | 0 | 9B | 62 BPM | |
 | Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | |
 | Suite pastorale: III. Sous-bois | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 0 BPM | |
 | Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | |
 | Lalo: Cello Concerto in D Minor: II. Intermezzo - Allegro presto | Édouard Lalo, André Navarra, Charles Münch, Orchestre des Concerts Lamoureux | C Minor | 1 | 5A | 75 BPM | |
 | Lyric Pieces, Book 1, Op. 12: I. Arietta | Edvard Grieg, Javier Perianes | B♭ Major | 0 | 6B | 72 BPM | |
 | Elégie in C minor Op. 24 - 1995 Remastered Version | Gabriel Fauré, Jacqueline du Pré | A♭ Major | 0 | 4B | 90 BPM | |
 | Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | |
 | Orchestral Suite No. 3 in D major, BWV 1068: II. Air | Johann Sebastian Bach, Joshua Bell, Academy of St. Martin in the Fields | D Major | 2 | 10B | 91 BPM |
- ISRC
- USSM16401100
- Label
- L-M Records/RCA Records
Section: 0.784372091293335
End: 0.7897820472717285