Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano made "Stabat Mater: Fac ut ardeat cor meum" available on January 1, 2011. The duration of Stabat Mater: Fac ut ardeat cor meum is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Stabat Mater: Fac ut ardeat cor meum's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 23 in the song's album "Pergolesi: Stabat Mater - A Tribute To Pergolesi". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. Based on our statistics, Stabat Mater: Fac ut ardeat cor meum's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Stabat Mater: Fac ut ardeat cor meum by Giovanni Battista Pergolesi, Anna Netrebko, Marianna Pizzolato, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano having a BPM of 124 with a half-time of 62 BPM and a double-time of 248 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Fago: Tam non splendet sol creatus: III. "Dum infans iam dormit" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D Major | 1 | 10B | 79 BPM | ||
The Fairy Queen / Act 2: One Charming Night | Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari | B Minor | 1 | 10A | 80 BPM | ||
Te Deum, H. 146: III. Te aeternum Patrem | Marc-Antoine Charpentier, Véronique Gens, William Christie, Gilles Ragon, Jean-Paul Fouchécourt, Les Arts Florissants, Bernard Deletré | D♭ Major | 3 | 3B | 116 BPM | ||
Miserere, ZWV 57: I. Miserere I | Jan Dismas Zelenka, Accademia Barocca Lucernensis, Javier Ulises Illán | B Minor | 3 | 10A | 75 BPM | ||
Offerte non encore exécutée, H.522 | Marc-Antoine Charpentier, Musica Antiqua Köln, Reinhard Goebel | B Major | 2 | 1B | 79 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: II. Andante E Piano | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | E♭ Major | 1 | 5B | 103 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Concertino for Strings No. 5 in E-Flat Major, P. 30: II. Presto - III. Largo | Giovanni Battista Pergolesi, Felix Ayo, I Musici | F Major | 2 | 7B | 80 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM |
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