Henry Purcell, John Holloway, Orchester Le Phenix made "Abdelazer, Z. 570: No. 5, Minuett" available on February 1, 2012. With Abdelazer, Z. 570: No. 5, Minuett being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 42 in Abdelazer (Suites by Henry Purcell After the Tragedy by Aphra Behn, Arr. for Narrator and Orchestra) by Henry Purcell, John Holloway, Orchester Le Phenix. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Abdelazer, Z. 570: No. 5, Minuett is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Abdelazer, Z. 570: No. 5, Minuett by Henry Purcell, John Holloway, Orchester Le Phenix is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in A Major, Wq. 54/6, H. 207: I. Allegro di molto | Carl Philipp Emanuel Bach, Ana-Marija Markovina | A Major | 1 | 11B | 0 BPM | ||
L'Aria | Heinrich Ignaz Franz von Biber, Christina Pluhar | D Minor | 1 | 7A | 86 BPM | ||
Burial Service: Thou knowest, Lord, the secrets of our hearts, Z. 58C | Henry Purcell, Oxford Camerata, Laurence Cummings, Jeremy Summerly | C Minor | 0 | 5A | 85 BPM | ||
Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" | Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 110 BPM | ||
Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | ||
The Indian Queen, Z. 630, Act III: Seek Not to Know What Must Not Be Reveal’d | Henry Purcell, The Sixteen, Harry Christophers, Julie Cooper | A Major | 1 | 11B | 108 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: I. Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 96 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: II. Largo | Cologne Chamber Orchestra, Roderick Shaw, Christoph Anselm Noll, Robert Hill, Gerald Hambitzer, Johann Sebastian Bach | G Major | 2 | 9B | 81 BPM | ||
Scherzi musicali, cioè arie, et madrigali in stil recitativo: Zefiro torna, SV 251 | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 2 | 9B | 101 BPM |
Section: 0.6193501949310303
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