Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard's 'Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear"' came out on January 1, 1986. The duration of Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" is about 3 minutes long, at 3:25. Based on our data, "Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #10. In terms of popularity, Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dido and Aeneas / Act 2: "Oft she visits...Behold, upon my bending spear" by Henry Purcell, Elizabeth Gale, Thomas Allen, Jessye Norman, Marie McLaughlin, English Chamber Orchestra, Raymond Leppard having a BPM of 110 with a half-time of 55 BPM and a double-time of 220 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Funeral Sentences For Queen Mary: Thou Knowest, Lord | Timothy Brown, Jonathan Brown, Liz Kenny, Jenny Ward - Clarke, Tim Handley, Andrew Manze, Jan Schlapp, Choir of Clare College, Cambridge, William Carter, Nicholas Parker, Henry Purcell, Marshall Marcus | C Minor | 0 | 5A | 82 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Haydn: Mass in D Minor, Hob. XXII:11 "Nelson Mass": Kyrie | Joseph Haydn, Sir Neville Marriner, Hansjürgen Scholze, Margaret Marshall, MDR Leipzig Radio Chorus, Staatskapelle Dresden | G Minor | 3 | 6A | 115 BPM | ||
Durante: Messa a 5 voci: "Domine Fili unigenite" | Francesco Durante, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Major | 2 | 3B | 117 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 2 Scene 2: "Stay, Prince, and hear Great Jove's command" (Spirit, Aeneas, Sorceress, First Witch, Second Witch) - The Groves Dance | Henry Purcell, Emmanuelle Haïm | A♭ Minor | 2 | 1A | 82 BPM | ||
Dido and Aeneas / Act 2: "Wayward sisters...But ere we this perform" | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | F Major | 1 | 7B | 162 BPM | ||
Stabat Mater: 7. Eia Mater | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 125 BPM | ||
Brandenburg Concerto No.1 in F, BWV 1046: 1. (Allegro) | Johann Sebastian Bach, English Chamber Orchestra, Benjamin Britten | F Major | 3 | 7B | 159 BPM |
Section: 0.6688361167907715
End: 0.6726152896881104