"Funeral Sentences For Queen Mary: Thou Knowest, Lord" by Timothy Brown, Jonathan Brown, Liz Kenny, Jenny Ward - Clarke, Tim Handley, Andrew Manze, Jan Schlapp, Choir of Clare College, Cambridge, William Carter, Nicholas Parker, Henry Purcell, Marshall Marcus was released on December 22, 2006. The duration of Funeral Sentences For Queen Mary: Thou Knowest, Lord is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Funeral Sentences For Queen Mary: Thou Knowest, Lord's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Timothy Brown's "Miserere, Lamentations" album is number 12 out of 13. Funeral Sentences For Queen Mary: Thou Knowest, Lord is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Funeral Sentences For Queen Mary: Thou Knowest, Lord by Timothy Brown, Jonathan Brown, Liz Kenny, Jenny Ward - Clarke, Tim Handley, Andrew Manze, Jan Schlapp, Choir of Clare College, Cambridge, William Carter, Nicholas Parker, Henry Purcell, Marshall Marcus to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cantica Sacra: No. 3, Sancta et Immaculata Virginitas | Richard Dering, Timothy Brown | E Major | 1 | 12B | 61 BPM | ||
Missa si Deus pro nobis, a 16 voci: I. Kyrie eleison | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 94 BPM | ||
Viri Galilaei | Jan Pieterszoon Sweelinck, Timothy Brown, Choir of Clare College, Cambridge, Cambridge | B Minor | 1 | 10A | 88 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Concerto in F Major for 2 Oboes, 2 Horns & Violin, RV 569: 2. Grave | Antonio Vivaldi, Neil Black, Celia Nicklin, Martin Gatt, Timothy Brown, Robin Davis, Iona Brown, Christopher Hogwood, Colin Tilney, Kenneth Heath, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 90 BPM | ||
Son of god mass ; Sanctus & benedictus | James Whitbourn, Robert Tear, John Harle, Joby Burgess, John Reid, Timothy Brown, Choir of Clare College, Cambridge | F Major | 1 | 7B | 80 BPM | ||
Monteverdi: Madrigals, Book 8: Ballo, SV 154b | Claudio Monteverdi, L'Arpeggiata, Christina Pluhar | A Minor | 1 | 8A | 127 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
O nata Lux | Thomas Tallis, Choir of Clare College, Cambridge, Timothy Brown | A♭ Minor | 0 | 1A | 81 BPM | ||
Evening Hymn, Z.193 | Henry Purcell, Emma Kirkby, Anthony Rooley, Christopher Hogwood | E Minor | 1 | 9A | 71 BPM |
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