"Rejoice in the Lord alway, verse anthem, Z.49" by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent was released on 1993. Since Rejoice in the Lord alway, verse anthem, Z.49 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Purcell: Funeral Sentences & Hail! Bright Cecilia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Rejoice in the Lord alway, verse anthem, Z.49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rejoice in the Lord alway, verse anthem, Z.49 by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb" | Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas Hobbs | E Major | 1 | 12B | 79 BPM | ||
Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | F♯ Minor | 1 | 11A | 80 BPM | ||
Os justi | Anton Bruckner, Voces8 | C Major | 0 | 8B | 138 BPM | ||
Dido and Aeneas / Act 1: "Fear no danger" | Henry Purcell, Emma Kirkby, Julianne Baird, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher Hogwood | B Major | 0 | 1B | 130 BPM | ||
Jesu, meine Freude, BWV 227: VII. Choral "Weg mit allen Schätzen" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi Tóth | E♭ Minor | 1 | 2A | 86 BPM | ||
Magnificat in D Major, BWV 243: VI. Et misericordia | Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg Mammel | F♯ Major | 2 | 2B | 80 BPM | ||
Johannes-Passion, BWV 245, I. Teil: 2. (Evangelist und Chorus) "Jesus ging mit seinen Jüngern", usw | Johann Sebastian Bach, Collegium Vocale Gent, Michael Volle, Mark Padmore, Philippe Herreweghe | B Minor | 1 | 10A | 93 BPM | ||
Purcell: King Arthur, Z. 628, Act V: Song and Chorus. "Your Hay It Is Mow'd" | Henry Purcell, John Eliot Gardiner, Ashley Stafford, The Monteverdi Choir, Paul Elliott, Stephen Varcoe, English Baroque Soloists | E Major | 1 | 12B | 67 BPM | ||
Plaude laetere: Symphonie | Jean-Baptiste Lully, Le Concert Spirituel, Herve Niquet | B Major | 1 | 1B | 104 BPM | ||
Christ unser Herr zum Jordan kam, BWV 7: Aria: Des Vaters Stimme liess sich horen (Tenor) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 83 BPM |
Section: 0.6323761940002441
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