Rejoice in the Lord alway, verse anthem, Z.49
Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent
Purcell: Funeral Sentences & Hail! Bright Cecilia
8:10 1993
BPM
73
Key
D♭ Major
Camelot
3B

Embed

Share Link

Rejoice in the Lord alway, verse anthem, Z.49 - Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent Information

Acousticness
96%
Danceability
22%
Energy
6%
Instrumentalness
3%
Liveness
9%
Loudness
62%
Speechiness
4%
Valence
8%
Popularity
Loudness
-22.659 dB

Summary

"Rejoice in the Lord alway, verse anthem, Z.49" by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent was released on 1993. Since Rejoice in the Lord alway, verse anthem, Z.49 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 28 in the song's album "Purcell: Funeral Sentences & Hail! Bright Cecilia". In this album, this song's track order is #1. Furthermore, we believe that the track originated from France. Rejoice in the Lord alway, verse anthem, Z.49 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Rejoice in the Lord alway, verse anthem, Z.49 BPM

With Rejoice in the Lord alway, verse anthem, Z.49 by Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Rejoice in the Lord alway, verse anthem, Z.49 Key

This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Christ lag in Todesbanden: IVc. Aria Christ lag in Todesbanden: IVc. Aria "Er ist das rechte Osterlamb"Johann Kuhnau, Paul Agnew, Les Arts Florissants, Thomas HobbsE Major112B79 BPM
Stabat Mater: 3. O quam tristis by Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodStabat Mater: 3. O quam tristisGiovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher HogwoodF♯ Minor111A80 BPM
Os justi by Anton Bruckner, Voces8Os justiAnton Bruckner, Voces8C Major08B138 BPM
Dido and Aeneas / Act 1: Dido and Aeneas / Act 1: "Fear no danger"Henry Purcell, Emma Kirkby, Julianne Baird, The Academy Of Ancient Music Chorus, Academy of Ancient Music, Christopher HogwoodB Major01B130 BPM
Jesu, meine Freude, BWV 227: VII. Choral Jesu, meine Freude, BWV 227: VII. Choral "Weg mit allen Schätzen"Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Dorothee Mields, Damien Guillon, Thomas Hobbs, Peter Kooij, Zsuzsi TóthE♭ Minor12A86 BPM
Magnificat in D Major, BWV 243: VI. Et misericordia by Johann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg MammelMagnificat in D Major, BWV 243: VI. Et misericordiaJohann Sebastian Bach, Philippe Pierlot, Ricercar Consort, Carlos Mena, Hans-Jörg MammelF♯ Major22B80 BPM
Johannes-Passion, BWV 245, I. Teil: 2. (Evangelist und Chorus) Johannes-Passion, BWV 245, I. Teil: 2. (Evangelist und Chorus) "Jesus ging mit seinen Jüngern", uswJohann Sebastian Bach, Collegium Vocale Gent, Michael Volle, Mark Padmore, Philippe HerrewegheB Minor110A93 BPM
Purcell: King Arthur, Z. 628, Act V: Song and Chorus. Purcell: King Arthur, Z. 628, Act V: Song and Chorus. "Your Hay It Is Mow'd"Henry Purcell, John Eliot Gardiner, Ashley Stafford, The Monteverdi Choir, Paul Elliott, Stephen Varcoe, English Baroque SoloistsE Major112B67 BPM
Plaude laetere: Symphonie by Jean-Baptiste Lully, Le Concert Spirituel, Herve NiquetPlaude laetere: SymphonieJean-Baptiste Lully, Le Concert Spirituel, Herve NiquetB Major11B104 BPM
Christ unser Herr zum Jordan kam, BWV 7: Aria: Des Vaters Stimme liess sich horen (Tenor) by Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerChrist unser Herr zum Jordan kam, BWV 7: Aria: Des Vaters Stimme liess sich horen (Tenor)Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot GardinerA♭ Minor11A83 BPM
ISRC
FRZ149324010
Label
L-M Records/RCA Records

Section: 0.6323761940002441

End: 0.6359260082244873