Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Boris Grappe, Franck Leguérinel, Blan, Francois Le Roux, Éric Huchet, Marc Minkowski, Maryline Fallot, Alain Gabriel, Christophe Grapperon, Aurélia Legay, Grenoble made "La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 18: Final 'A cheval, a cheval' (Tous)" available on September 2, 2005. The duration of La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 18: Final 'A cheval, a cheval' (Tous) is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 18: Final 'A cheval, a cheval' (Tous)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Offenbach: La Grande Duchesse de Gerolstein". In this album, this song's track order is #23. The popularity of La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 18: Final 'A cheval, a cheval' (Tous) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With La Grande Duchess de Gerolstein, Acte III (Tableau 1): No 18: Final 'A cheval, a cheval' (Tous) by Jacques Offenbach, Felicity Lott, Sandrine Piau, Yann Beuron, Choeur des Musiciens du Louvre, Les Musiciens du Louvre, Boris Grappe, Franck Leguérinel, Blan, Francois Le Roux, Éric Huchet, Marc Minkowski, Maryline Fallot, Alain Gabriel, Christophe Grapperon, Aurélia Legay, Grenoble having a BPM of 172 with a half-time of 86 BPM and a double-time of 344 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Walzer (a la Paganini), Op. 11 | Johann Strauss I, Slovak Sinfonietta, Zilina, Christian Pollack | D Major | 1 | 10B | 164 BPM | ||
Lohengrin, Act III: Prelude | Richard Wagner, Slovak Philharmonic, Michael Halasz | G Major | 2 | 9B | 94 BPM | ||
Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | ||
The Gadfly Suite, Op. 97a: No. 8 Romance | Dmitri Shostakovich, Charlie Siem, Munich Radio Orchestra, Paul Goodwin | D♭ Major | 1 | 3B | 133 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Prelude & Fugue in C Major (Well-Tempered Clavier, Book I, No. 1), BWV 846: Prelude | Johann Sebastian Bach, Wilhelm Kempff | C Major | 1 | 8B | 102 BPM | ||
Borodin - String Quartet No.2 in D major: Notturno: Andante | Alexander Borodin, Borodin Quartet | A Major | 2 | 11B | 74 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Overture | Gioachino Rossini, Zagreb Festival Orchestra, Michael Halasz | E Major | 1 | 12B | 171 BPM | ||
Tritsch Tratsch - Galopp Polka, Op. 214 | Orchestra of the Viennese Volksoper & Alfred Scholz | A Major | 2 | 11B | 80 BPM |
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