"The Planets, Op. 32, H. 125 (Excerpts): II. Venus, the Bringer of Peace [With Narration "High Flight"]" by Gustav Holst, John Gillespie Magee, Jr., Kate Mulgrew, Cincinnati Pops Orchestra, John Morris Russell had its release date on July 5, 2019. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Voyage by Cincinnati Pops Orchestra, John Morris Russell. The song's track number on the album is #17 out of 17 tracks. The Planets, Op. 32, H. 125 (Excerpts): II. Venus, the Bringer of Peace [With Narration "High Flight"] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since The Planets, Op. 32, H. 125 (Excerpts): II. Venus, the Bringer of Peace [With Narration "High Flight"] by Gustav Holst, John Gillespie Magee, Jr., Kate Mulgrew, Cincinnati Pops Orchestra, John Morris Russell has a tempo of 58 beats per a minute, the tempo markings of this song would be Lento (slowly). With The Planets, Op. 32, H. 125 (Excerpts): II. Venus, the Bringer of Peace [With Narration "High Flight"] being at 58 BPM, the half-time would be 29 BPM with a double-time of 116 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Simple Symphony, Op. 4: I. Boisterous Bourrée | Benjamin Britten, English Chamber Orchestra | A Minor | 2 | 8A | 106 BPM | ||
St. Paul's Suite, Op. 29 No. 2, H 118: 1. Jig: Vivace | Gustav Holst, Saint Paul Chamber Orchestra, Christopher Hogwood | C Major | 2 | 8B | 165 BPM | ||
Carmen Suite No. 1: 3. Intermezzo | Georges Bizet, Orchestre de Paris, Semyon Bychkov | B♭ Major | 0 | 6B | 74 BPM | ||
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March | Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | F Major | 2 | 7B | 119 BPM | ||
Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM | ||
Mahler: Blumine | Gustav Mahler, San Francisco Symphony, Michael Tilson Thomas | C Major | 1 | 8B | 100 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM | ||
The Rite of Spring: Part One: Adoration of the Earth: The Augurs of Spring - Dance of the Young Girls | Igor Stravinsky, Teodor Currentzis, musicAeterna | B♭ Major | 3 | 6B | 120 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande. Allegro ma non troppo | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | F♯ Major | 0 | 2B | 88 BPM |