- BPM
- 119
- Key
- F Major
- Camelot
- 7B
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March - Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon Information
- Acousticness
- 99%
- Danceability
- 53%
- Energy
- 17%
- Instrumentalness
- 93%
- Liveness
- 9%
- Loudness
- 70%
- Speechiness
- 4%
- Valence
- 43%
- Popularity
- 31%
- Loudness
- -17.883 dB
Summary
Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon made "Second Suite in F Major, Op. 28 No. 2, H. 106: I. March" available on January 1, 2006. With this song being about 5 minutes long, at 4:41, "Second Suite in F Major, Op. 28 No. 2, H. 106: I. March" by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 12 out of 15 in Composer's Collection: Gustav Holst by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Second Suite in F Major, Op. 28 No. 2, H. 106: I. March is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March BPM
The tempo marking of Second Suite in F Major, Op. 28 No. 2, H. 106: I. March by Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon is Moderato (at a moderate speed), since this song has a tempo of 119 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
Second Suite in F Major, Op. 28 No. 2, H. 106: I. March Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Winds of Nagual: Asking Twilight for Calmness and power | Michael Colgrass, Cincinnati Wind Symphony, Eugene Migliaro Corporon | F Minor | 0 | 4A | 173 BPM | |
 | Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM | |
 | English Folk Song Suite: II. Intermezzo (My Bonny Boy) | Ralph Vaughan Williams, North Texas Wind Symphony, Eugene Migliaro | C Minor | 1 | 5A | 71 BPM | |
 | Divertimento, Op. 42: VI. March | Vincent Persichetti, North Texas Wind Symphony, Eugene Migliaro Corporon | D Major | 4 | 10B | 150 BPM | |
 | La péri - Fanfare | Paul Dukas, Roberto Benzi, Orchestre de Bordeaux Aquitaine | F♯ Major | 1 | 2B | 71 BPM | |
 | Masquerade Suite: Mazurka | Aram Khachaturian, St. Petersburg State Symphony Orchestra, Andre Anichanov | A♭ Major | 3 | 4B | 178 BPM | |
 | Flight of the Thunderbird | Richard Saucedo, Midwest Wind Ensemble | B♭ Major | 4 | 6B | 78 BPM | |
 | The Witch and The Saint | Steven Reineke, Glommasvingen Janitsjar, Knut Harald Jensen | C Minor | 0 | 5A | 78 BPM | |
 | In the Bleak Midwinter, H. 73 (Arr. for Wind Band) | Anonymous , Gustav Holst, North Texas Wind Symphony, Eugene Migliaro Corporon | A♭ Major | 1 | 4B | 78 BPM | |
 | Re(new)al: II. Wind | Viet Cuong, North Texas Wind Symphony, Eugene Migliaro Corporon, José Aponte, Mark Ford, Paul Rennick, Sandi Rennick | C Minor | 1 | 5A | 145 BPM |
- ISRC
- US7850610326
- Label
- L-M Records/RCA Records
Section: 0.6283190250396729
End: 0.6318497657775879