Ludwig van Beethoven, Alexis Weissenberg's 'Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"' came out on December 19, 2008. The duration of Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" is about two minutes long, specifically at 2:55. This song does not appear to have any foul language. Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 21 in the song's album "Passion Piano". In this album, this song's track order is #4. Furthermore, we believe that the track originated from France. Based on our statistics, Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Beethoven: Bagatelle No. 25 in A Minor, WoO 59 "Für Elise" by Ludwig van Beethoven, Alexis Weissenberg having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Menuet in G Minor (trans. W. Kempff) | Wilhelm Kempff, George Frideric Handel, Idil Biret | G Minor | 0 | 6A | 73 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Symphony No. 94 in G Major, Hob. I:94, "Surprise": II. Andante | Franz Joseph Haydn, Dennis Russell Davies | C Major | 0 | 8B | 123 BPM | ||
Vier Jahreszeiten - Fruehling - III. Allegro | I Solisti di Zagreb, Alexander Perovsky | E Major | 0 | 12B | 93 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "Ode to Joy" | Ludwig van Beethoven, London Philharmonic Choir, The London Chorus, David Parry, London Philharmonic Orchestra | D Major | 6 | 10B | 76 BPM | ||
Schumann: Kinderszenen, Op. 15: I Von fremden Ländern und Menschen | Robert Schumann, Maria João Pires | G Major | 0 | 9B | 67 BPM | ||
Berceuse for Small Orchestra (1904) | Armas Järnefelt, Esa-Pekka Salonen, Swedish Radio Symphony Orchestra | G Minor | 0 | 6A | 116 BPM | ||
Symphonie n°3 en mi bémol majeur, Op. 97 Symphonie Rhénane: Lebhaft | Robert Schumann, Staatsorchester Rheinische Philharmonie, Kurt Redel | E♭ Major | 1 | 5B | 112 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Der Mann mit dem Fagott | Udo Jürgens | D Minor | 2 | 7A | 80 BPM |
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