Isaac Albéniz, Anonymous, Trío Arbós's 'Espana, Op. 165: No. 2. Tango (arr. for violin, cello and piano)' came out on May 1, 2013. The duration of Espana, Op. 165: No. 2. Tango (arr. for violin, cello and piano) is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Espana, Op. 165: No. 2. Tango (arr. for violin, cello and piano)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Sones y Danzones". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Spain. Based on our statistics, Espana, Op. 165: No. 2. Tango (arr. for violin, cello and piano)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Espana, Op. 165: No. 2. Tango (arr. for violin, cello and piano) by Isaac Albéniz, Anonymous, Trío Arbós having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
King Arthur, Z. 628, "The British Worthy": Air | Henry Purcell, Nancy Argenta, CBC Vancouver Orchestra, Monica Huggett | D♭ Minor | 0 | 12A | 114 BPM | ||
Fantasía para un gentilhombre for Guitar and Small Orchestra: II. Españoleta y fanfare de la caballería de Nápoles (Adagio - Allegretto molto ritmico) - Version 1977 | Joaquín Rodrigo, Narciso Yepes, English Chamber Orchestra, Luis Antonio García Navarro | E Minor | 0 | 9A | 98 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 3, Es siedet und brauset un sicht | Bedřich Smetana, Jitka Čechová | A♭ Minor | 2 | 1A | 76 BPM | ||
Eia Mater: Andantino | Giovanni Battista Pergolesi, Rinaldo Alessandrini, Gemma Bertagnolli, Concerto Italiano, Sara Mingardo | E Minor | 0 | 9A | 0 BPM | ||
Toccata in G Minor (Arr. E. Netzer for Harp) | Alessandro Scarlatti, Elisa Netzer | C Minor | 1 | 5A | 100 BPM | ||
Les sauvages | Jean-Philippe Rameau, Víkingur Ólafsson | G Minor | 3 | 6A | 118 BPM | ||
Iberia, T. 105 / Book 4: No. 10, Málaga | Isaac Albéniz, Yuja Wang | D♭ Minor | 0 | 12A | 131 BPM | ||
Mazurka in A Minor, Op. 17 No. 4 | Frédéric Chopin, Khatia Buniatishvili | A Minor | 0 | 8A | 173 BPM | ||
Keyboard Sonata in D Minor, Kk. 1 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 1 | 7A | 107 BPM | ||
Maria Carolina | Antonio Lauro, Adam Holzman | A Minor | 1 | 8A | 91 BPM |
Section: 0.8068568706512451
End: 0.812131404876709