"Swan Lake, Op.20, TH.12 / Act 1: No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace)" by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit was released on January 1, 1992. Swan Lake, Op.20, TH.12 / Act 1: No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace) appears to be safe for all ages as it is not explicit. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #4. Swan Lake, Op.20, TH.12 / Act 1: No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Swan Lake, Op.20, TH.12 / Act 1: No.4 Pas de trois: a) Intrada (Allegro) - b) Andante sostenuto - c) Allegro semplice - d) Moderato - e) Allegro - f) Coda (Allegro vivace) by Pyotr Ilyich Tchaikovsky, Orchestre Symphonique de Montréal, Charles Dutoit having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Sextet in D Minor, Op. 70, "Souvenir de Florence": I. Allegro con spirito | Pyotr Ilyich Tchaikovsky, Jan Vogler | D Major | 2 | 10B | 109 BPM | ||
Raymonda, Act III: Variation for male dancer | Alexander Glazunov, English National Ballet Philharmonic, Gavin Sutherland | A♭ Major | 0 | 4B | 61 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Prelude In D Minor, BWV 926 : Prelude In D Minor, BWV 926 | Janos Sebestyen, Johann Sebastian Bach | G Minor | 2 | 6A | 126 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 5 (orch. Schmeling) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | G Minor | 1 | 6A | 144 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A♭ Minor | 2 | 1A | 76 BPM | ||
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Boccherini: String Quintet in E Major, Op. 11 No. 5, G. 275: III. Minuetto - Trio (Arr. Woodhouse for String Orchestra) | Luigi Boccherini, Sir Neville Marriner, Academy of St. Martin in the Fields | A Major | 0 | 11B | 85 BPM |
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