"Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on 1976. The duration of Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato is about 3 minutes long, at 3:04. Based on our data, "Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Tchaikovsky: Swan Lake". In this album, this song's track order is #17. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: Swan Lake, Op. 20, Act IV: No. 28, Scene. Allegro agitato by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Brook Green Suite: I. Prelude | Gustav Holst, English Sinfonia, Howard Griffiths | F Major | 2 | 7B | 123 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": Theme (Andante) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 178 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace | Antonín Dvořák, New York Philharmonic, Alan Gilbert | C Major | 1 | 8B | 121 BPM | ||
Carnival of the Animals, R. 125: Tortoises | Camille Saint-Saëns, Philippe Entremont, Gaby Casadesus, Yo-Yo Ma | B♭ Major | 0 | 6B | 138 BPM | ||
Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 1: No. 14, Juliet's Variation | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act 3: Scene. Danse de fançailles | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | F Major | 5 | 7B | 148 BPM | ||
Simple Symphony, Op. 4: IV. Frolicsome Finale | Benjamin Britten, English Chamber Orchestra | G Major | 4 | 9B | 78 BPM | ||
Nessun Dorma | Giacomo Puccini, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 5 | 10B | 96 BPM | ||
Ruses d'amour, Op. 61 | Alexander Glazunov, State Academic Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 1 | 5B | 130 BPM | ||
Piano Concerto No. 3 in D Minor, Op. 30: I. Allegro ma non tanto | Sergei Rachmaninoff, Valentina Lisitsa, London Symphony Orchestra, Michael Francis | A Minor | 2 | 8A | 101 BPM |
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