"Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante" by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 2000. The duration of Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante is about two minutes long, specifically at 2:52. This song does not appear to have any foul language. Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Herbert von Karajan's "Karajan conducts Tchaikovsky" album is number 12 out of 69. Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Variations On A Rococo Theme, Op.33, TH.57: Variazione VI: Andante by Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impromptu In G Flat, D.899 No. 3 - Transcription For Cello And Piano By Heifetz/Rostropovich | Franz Schubert, Mstislav Rostropovich, Alexander Dedyukhin | G Major | 1 | 9B | 94 BPM | ||
Violin Concerto No. 2 In G Minor, Op. 63: 2. Andante assai | Sergei Prokofiev, Gil Shaham, André Previn, London Symphony Orchestra | G Major | 1 | 9B | 64 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Myrthen, Op. 25 - Version for Cello and Piano: XXIV. Du bist wie eine Blume | Robert Schumann, Kian Soltani, Aaron Pilsan | F Major | 0 | 7B | 116 BPM | ||
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Etude in D-Sharp Minor, Op. 8, No. 12: Patetico - Remastered | Alexander Scriabin, Vladimir Horowitz | D♭ Minor | 3 | 12A | 72 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Variations On A Rococo Theme, Op.33, TH.57: Variazione III: Andante sostenuto | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 103 BPM | ||
Rachmaninov: 14 Romances, Op. 34: XIV. Vocalise (Arr. Rostropovich for Cello and Piano) | Sergei Rachmaninoff, Mstislav Rostropovich, Alexander Dedyukhin | G Major | 2 | 9B | 197 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Von den Hinterweltlern | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 78 BPM |
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