"Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390" by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe was released on 1996. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Schütz: Geistliche Chormusik". In this album, this song's track order is #10. In terms of popularity, Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chormusik: Unser Wandel ist im Himmel, SWV 390 by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 1/4.
This song is in the music key of E Minor. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Taverner: Missa Corona spinea - 01. Gloria in excelsis Deo | John Taverner, Peter Phillips, The Tallis Scholars | E♭ Major | 1 | 5B | 88 BPM | ||
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Requiem in F Minor, C 8: Ia. Introitus | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 180 BPM | ||
Sfogava con le stelle | Claudio Monteverdi, La Venexiana | A Minor | 1 | 8A | 131 BPM | ||
Psalmen Davids, Op. 2: No. 25, Zion spricht, der Herr hat mich verlassen, SWV 46 | Heinrich Schütz, Dorothee Mields, Marie Luise Werneburg, Tobias Mathger, Georg Poplutz, Karina Müller, Margret Baumgartl, Matthias Müller, Andreas Arend, Dresdner Barockorchester, Dresdner Kammerchor, Hans-Christoph Rademann | A Minor | 1 | 8A | 70 BPM | ||
Missa Tempore Quadragesimae, MH 553: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 1 | 9B | 73 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Tenebrae Responsories for Maundy Thursday: In monte Oliveti: d. Presa. Spiritus quidem promptus est | Carlo Gesualdo, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Te Deum, H. 146: V. Tu de victo mortis aculeo | Marc-Antoine Charpentier, Ensemble les Surprises, Louis-Noël Bestion de Camboulas, David Witczak | B♭ Major | 4 | 6B | 106 BPM |
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