"Prélude à l'après-midi d'un faune, L. 86" by Claude Debussy, Philippe Pierlot, Georges Prêtre, Orchestre National De France was released on January 21, 2021. Prélude à l'après-midi d'un faune, L. 86 appears to be safe for all ages as it is not explicit. The song is number 45 out of 50 in Debussy - Thursday Evening by Claude Debussy. Prélude à l'après-midi d'un faune, L. 86 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Prélude à l'après-midi d'un faune, L. 86 by Claude Debussy, Philippe Pierlot, Georges Prêtre, Orchestre National De France is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Khachaturian: Spartacus (Highlights from the Ballet): Adagio of Spartacus and Phrygia | Aram Khachaturian, London Symphony Orchestra | A♭ Major | 1 | 4B | 88 BPM | ||
Children's Corner, L. 113: 6. Golliwog's Cakewalk | Claude Debussy, Seong-Jin Cho | F Minor | 0 | 4A | 69 BPM | ||
Suite Oriental (Suite Árabe): II. Serenata | Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Major | 0 | 9B | 133 BPM | ||
Pièces de viole, Livre 2 - Suite No. 3 in D Major: No. 63. Les Voix Humaines (Lentement) | Marin Marais, Philippe Pierlot | D♭ Major | 0 | 3B | 77 BPM | ||
Salut d'amour, Op. 12 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | D Major | 1 | 10B | 80 BPM | ||
Coppelia Ballet Suite: Slav Theme and Variations | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | E Major | 0 | 12B | 125 BPM | ||
Piano Concerto in D Flat Major: 2. Andante con anima | Aram Khachaturian, Alicia de Larrocha, London Philharmonic Orchestra, Rafael Frühbeck de Burgos | D Minor | 1 | 7A | 115 BPM | ||
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
I. Vanitas vanitatum (from "Five Pieces in the Popular Style", Op. 102) | Robert Schumann, Yo-Yo Ma, Kathryn Stott | F Major | 1 | 7B | 114 BPM | ||
Pièces Lyriques, Op. 47 No. 3: Mélodie | Edvard Grieg, Shani Diluka | F Major | 0 | 7B | 105 BPM |
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