"The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok"" by Лидия Черных, Нина Романова, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks was released on November 16, 2018. The duration of The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok" is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 44 in the song's album "Tchaikovsky: The Queen of Spades, Op. 68 (Live)". In this album, this song's track order is #7. The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok" by Лидия Черных, Нина Романова, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Una Voce Poco Fa | Gioachino Rossini, Standard Music Library, Andy Brown | B Major | 3 | 1B | 105 BPM | ||
In Windsor Forest: No. 3, Falstaff and the Fairies | Ralph Vaughan Williams, London Choral Sinfonia, Michael Waldron, Rachel Ambrose Evans | G Major | 1 | 9B | 79 BPM | ||
Misatango, Misa a Buenos Aires: II. Christe eleison | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 98 BPM | ||
7 Songs After Pushkin, Op. 52: VI. Serenade | Nikolai Medtner, Лидия Черных, Любовь Орфёнова | A♭ Major | 1 | 4B | 103 BPM | ||
5 Sonnets from "The Triumph of Love", Op. 82 (Version for Voice & Orchestra): No. 4, I Think that We Were Children | Charles Villiers Stanford, Sharon Carty, BBC Concert Orchestra, John Andrews | E Minor | 0 | 9A | 170 BPM | ||
Il Turco in Italia / Act 1: "Voga, voga" | Gioachino Rossini, Cecilia Bartoli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | B Minor | 0 | 10A | 73 BPM | ||
L'elisir d'amore / Act II: Quanto amore! Ed io spietata! | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 107 BPM | ||
The Queen of Spades, Op. 68, Act II Scene 3 Interlude "The Faithful Shepherdess": No. 14c, Duet Prilepy I Milovzora "Moy milenkiy druzhok" | Лидия Черных, Нина Романова, Vladimir Fedoseyev, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks | D♭ Major | 2 | 3B | 81 BPM | ||
La forza del destino, Act II, Scene II: Madre, pietosa Vergine | Giuseppe Verdi, Dinara Alieva, Coro del Teatro Carlo Felice di Genova, Orchestra del Teatro Carlo Felice di Genova, Valerio Galli | D♭ Major | 3 | 3B | 76 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 2: "Což pak už mne nemáš rád?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Amanda Majeski, Andrew Staples | A♭ Minor | 2 | 1A | 85 BPM |
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