"Misatango, Misa a Buenos Aires: II. Christe eleison" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra was released on January 6, 2017. With this song being about 5 minutes long, at 5:09, "Misatango, Misa a Buenos Aires: II. Christe eleison" by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 15 in the song's album "Palmeri: Misatango, Misa a Buenos Aires". In this album, this song's track order is #2. In terms of popularity, Misatango, Misa a Buenos Aires: II. Christe eleison is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Misatango, Misa a Buenos Aires: II. Christe eleison by MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Offenbach: La vie parisienne, Act 4: Finale. "Par nos chansons et par nos cris, célébrons Paris" (Chœur, Gabrielle, Le Baron, La Baronne, Bobinet, Gardefeu, Le Brésilien, Urbain, Métella) | Jacques Offenbach, Michel Plasson, Christiane Château, Choeur Du Capitole De Toulouse, Jean Christophe Benoit, Luis Masson, Mady Mesple, Michel Jarry, Michel Sénéchal, Michel Trempont, Régine Crespin, Orchestre Du Capitole De Toulouse | G Major | 4 | 9B | 88 BPM | ||
Pique Dame (Pikovaya Dama), Op.68, TH.10 / Act 2: "Radostno, veselo v den sei" | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev, Mariinsky Chorus | B Major | 2 | 1B | 85 BPM | ||
Iolanthe: Go Away Madam | Elizabeth Woollett, Jill Pert, Richard Suart, New D'Oyly Carte Opera | E♭ Major | 2 | 5B | 52 BPM | ||
Messe solennelle de Pâques: I. Ouverture | Martial Caillebotte, Mathias Lecomte, Orchestre Pasdeloup, Michel Piquemal, Choeur régional Vittoria d'Île-de-France | E♭ Major | 0 | 5B | 81 BPM | ||
Te Deum, WAB 45: 3. Aeterna fac | Anton Bruckner, Maria Stader, Sieglinde Wagner, Ernst Haefliger, Peter Lagger, Wolfgang Meyer, Berliner Philharmoniker, Eugen Jochum, Chor der Deutschen Oper Berlin, Walter Hagen-Groll | B♭ Major | 4 | 6B | 64 BPM | ||
Les Pêcheurs de perles: De mon amie, fleur endormie (Nadir, Leïla) | Georges Bizet, Janine Micheau/Nicolai Gedda/Orchestre du Théâtre National de I'Opéra-Comique/Pierre Dervaux, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique, Orchestre Du Theatre National De L'opera-comique | D Minor | 0 | 7A | 76 BPM | ||
Misatango, Misa a Buenos Aires: I. Kyrie | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | C Minor | 2 | 5A | 90 BPM | ||
Messa di Gloria: Agnus Dei | Giacomo Puccini, Willi Stein, Thomas Pfeiffer, Maulbronn Chamber Choir, South West German Radio Symphony Orchestra, members, Jurgen Budday | F Major | 2 | 7B | 131 BPM | ||
Elijah, Op. 70: Introduction "As God the Lord of Israel Liveth" | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh | F Minor | 0 | 4A | 75 BPM | ||
Ultimo Break | TimeTunes | D♭ Major | 1 | 3B | 170 BPM |
Section: 0.943572998046875
End: 0.9474751949310303