"Ultimo Break" by TimeTunes was released on April 9, 2023. The duration of Ultimo Break is about two minutes long, specifically at 2:47. This song does not appear to have any foul language. Ultimo Break's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 4 in the song's album "Never Late". In this album, this song's track order is #4. The popularity of Ultimo Break is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ultimo Break by TimeTunes having a BPM of 170 with a half-time of 85 BPM and a double-time of 340 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
7 Variations on "Happy Birthday": Var. 2, Romantic | Howard Arman, Bavarian Radio Chorus, Munich Radio Orchestra | F♯ Major | 2 | 2B | 59 BPM | ||
Elijah, Op. 70: "Woe To Him, He Shall Perish" (Chorus) | Felix Mendelssohn, Gabrieli, William Whitehead, Paul McCreesh | A Minor | 4 | 8A | 115 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 2: Praise to the Holiest in the height | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence, Anna Stephany | D Major | 0 | 10B | 85 BPM | ||
Donde hay violencia no hay culpa, Act I: A la gran deidad de Marte | Jose Nebra, Los Elementos, Alberto Miguélez Rouco | D♭ Major | 1 | 3B | 75 BPM | ||
Symphony No. 9 in D Minor, Op. 125 "Choral": IVi. Allegro ma non tanto. Freude, Tochter aus Elysium (Sung in Ukrainian) | Ludwig van Beethoven, Olga Kulchynska, Nicole Chirka, Dmytro Popov, Vladyslav Buialskyi, Podlasie Opera and Philharmonic Choir, Ukrainian Freedom Orchestra, Keri-Lynn Wilson | D Major | 2 | 10B | 137 BPM | ||
First Movement Molto Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | D Major | 2 | 10B | 74 BPM | ||
Das Waldmädchen: No. 10, Larghetto | Paul Wranitzky, Czech Philharmonic Chamber Orchestra, Marek Štilec | F Major | 1 | 7B | 100 BPM | ||
4 Letzte Lieder, TrV 296: No. 3, Beim Schlafengehen | Richard Strauss, Hanna-Elisabeth Müller, WDR Sinfonieorchester Köln, Christoph Eschenbach | B♭ Major | 0 | 6B | 82 BPM | ||
Les adieux de Marie Stuart, WWV 61 (Arr. Fontanelli for Voice and Ensemble) | Richard Wagner, KammerMusikKöln, Kathrin Zukowski | E♭ Major | 1 | 5B | 69 BPM | ||
Lehár: Giuditta: "In einem Meer von Liebe" (Giuditta, Chor) | Franz Lehár, Lucia Popp, Academy of St. Martin in the Fields, Sir Neville Marriner, Ambrosian Opera Chorus | E Major | 3 | 12B | 118 BPM |
Section: 0.6215198040008545
End: 0.6287469863891602